Nearly a century's worth of Scurlock photographs combine to form a searing portrait of black Washington in all its guises—its challenges and its victories, its dignity and its determination. Beginning in the early twentieth century and continuing into the 1990s, Addison Scurlock, followed by his sons, Robert and George, used their cameras to document and celebrate a community unique in the world, and a stronghold in the history and culture of the nation's capital. Through photographs of formal weddings, elegant cotillions, ballet studios, and quiet family life, the Scurlocks revealed a world in which the black middle class refused to be defined or held captive by discrimination. From its home on the vibrant U Street corridor, the Scurlock Studio gave us indelible images of leaders and luminaries, of high society and working class, of Washingtonians at work and at play. In photograph after photograph, the Scurlocks captured an optimism and resiliency seldom seen in mainstream depictions of segregated society. Luminaries such as Duke Ellington, Ralph Bunche, Mary McLeod Bethune, Alain Locke, Martin Luther King, Jr., and Lois Mailou Jones testify to the intellectual and cultural vibrancy that was unique to Washington and an inspiration to the nation. Photographs of a Peoples Drugstore protest and Marian Anderson's Easter morning concert at the Lincoln Memorial remind us that the struggle for equality in black Washington began long before the civil rights movement of the 1960s. Offering a rich lens into our past, The Scurlock Studio and Black Washington is a powerful trigger of personal and historical memory.

"Before chain coffeeshops and luxury high-rises, before even the beginning of desegregation and the 1968 riots, Washington's Greater U Street was known as Black Broadway. From the early 1900s into the 1950s, African Americans plagued by Jim Crow laws in other parts of town were free to own businesses here and built what was often described as a "city within a city." Local author and journalist Briana A. Thomas narrates U Street's rich and unique history, from the early triumph of emancipation to the days of civil rights pioneer Mary Church Terrell and music giant Duke Ellington, through the recent struggle of gentrifiction" --

Surveys the work of African-American professional photographers from the mid-nineteenth to the mid-twentieth century: Jules Lion, Augustus Washington, James P. Ball, the Goodridge Brothers, Cornelius M. Battey, and Addison Scurlock.

Pres. Franklin D. Roosevelt declared a bank holiday on March 5, 1933, closing banks across the country until they proved financial soundness. Meanwhile, as the United States crawled out of the Great Depression, Jesse H. Mitchell and a group of black businessmen accomplished the extraordinary--they started a black-owned bank on a street known as "Black Broadway" in the nation's capital. Mitchell, a Howard University-educated lawyer and realtor, and his friends sold $65,000 in stock, and in the sweltering heat on August 20, 1934, Industrial Bank of Washington opened for business. A range of black investors rallied around the effort, from individuals, churches, and service-oriented organizations to savvy business owners. The bank has carried on for three generations: Mitchell's son B. Doyle Mitchell Sr. succeeded him as president in 1953, who was then succeeded in 1993 by his grandson B. Doyle Mitchell Jr. as president and CEO and his granddaughter Patricia A. Mitchell as executive vice president.

The Black Washingtonians THE ANACOSTIA MUSEUM ILLUSTRATED CHRONOLOGY A history of African American life in our nation's capital, in words and pictures From the Smithsonian Institution's renowned Anacostia Museum and Center for African American History and Culture comes this elegantly illustrated, beautifully written, fact-filled history of the African Americans who have lived, worked, struggled, prospered, suffered, and built a vibrant community in Washington, D.C. This striking volume puts the resources of the world's finest museum of African American history at your fingertips. Its hundreds of photographs, period illustrations, and documents from the world-famous collections at the Anacostia and other Smithsonian museums take you on a fascinating journey through time from the early eighteenth century to the present. Featuring a thoughtful foreword by Eleanor Holmes Norton and an afterword by Howard University's E. Ethelbert Miller, The Black Washingtonians introduces you to a host of African American men and women who have made the city what it is today and explores their achievements in politics, business, education, religion, sports, entertainment, and the arts.