“Watch your life as if it were a film. Absorb everything. What you see, hear, and feel will stamp every alphabet of your work.” ― Nikky Finney The best way to write a piece in literature, be it a poem, a story or a microtale starts with scribbling. Maybe poetry or story hasn’t been a straightforward endeavor — all clear cut and easy to understand. The truth is, none of our lives are easy to follow or understand, not really. But to make our work a masterpiece, what is needed is scribbling the ideas and thoughts and then assembling them into a beautiful alliance. “The Scribble” is a book of 32 writers from the globe who have penned down their different thoughts, ideas and feelings into poems and stories that will make you fall in love with literature.

Welcome to your own playful, personal doodling space. Release your thoughts. Make a memory collage. Draw your dreams. Reflect on your day. What’s in your brain right now?

Best friends Rumpus, Tai, Phil, and Phlox are thrilled for the chance to make their first real mural, but when they fall into the world of their own epic painting, they suddenly have to face down the piranha-pistol-packing Wildhares, cattlefish stampedes, and buzzing battlebees of their own creation. Even if they survive, how will they ever find their way back home? Giddyup with the Scribble Squad as they ride into a very weird, very wild Old West! * With over a hundred full-color illustrations by nationally renowned street artist Donald "Scribe" Ross

This book offers new definitions, vocabularies and insights for “scribbling”, viewing it as a fascinating and revealing process shared by many different disciplines and practices. The book provides a fresh and timely perspective on the nature of mark making and the persistence of the gestural impulse from the earliest graphic marks to the most sophisticated artistic production. The typical treatment of scribbling in the literature of artistic development has cast the practice as a prelude to representation in drawing and writing, with only occasional acknowledgment of the continuing joy and experiment of making marks across many arts practices. The continuous line the author traces between the universal practice of scribbling in infancy and early childhood and the work of radical creativity for contemporary and historical artists is original and clarifying, expanding the range of drawing behaviors to that of avant-garde painters, performance and the digital.

Just start with a scribble! Start with a Scribble will banish your inner critic and kick-start your inner genius, as you learn to draw with a little how-to and a lot of just-do. An artist-quality pen and watercolor pencils (red and black) are included. Inside, you’ll find: Prompts to inspire you (e.g., “emotional rabbits”) Doodles to finish (“Mrs. Thudkins takes her floppaterasis for a walk”) Techniques to try (only when the mood strikes you), from shading to perspective And plenty of wide-open space to play around in. We’re much less interested in the appearance of something than in the something itself. So, when you’ve settled on your subject (a monster? a cockatoo?), first figure out what its essence should be (ferocious? bashful?) . . . and then, just toss that ball up (artistically speaking) and give it a good swat across the net. Voilà! You’re an artist. Throughout, beloved illustrator Sir Quentin Blake shares sage advice, from “it’s best to name your animal after you draw it” to “don’t worry too much yet about ankles.” The most important lesson? Let go and give in to your own creative spirit! Publisher's note: Start with a Scribble is an updated North American edition of Drawing for the Artistically Undiscovered (Klutz, 1999).

The four-volume set LNCS 8925, 8926, 8927 and 8928 comprises the thoroughly refereed post-workshop proceedings of the Workshops that took place in conjunction with the 13th European Conference on Computer Vision, ECCV 2014, held in Zurich, Switzerland, in September 2014. The 203 workshop papers were carefully reviewed and selected for inclusion in the proceedings. They where presented at workshops with the following themes: where computer vision meets art; computer vision in vehicle technology; spontaneous facial behavior analysis; consumer depth cameras for computer vision; "chalearn" looking at people: pose, recovery, action/interaction, gesture recognition; video event categorization, tagging and retrieval towards big data; computer vision with local binary pattern variants; visual object tracking challenge; computer vision + ontology applies cross-disciplinary technologies; visual perception of affordance and functional visual primitives for scene analysis; graphical models in computer vision; light fields for computer vision; computer vision for road scene understanding and autonomous driving; soft biometrics; transferring and adapting source knowledge in computer vision; surveillance and re-identification; color and photometry in computer vision; assistive computer vision and robotics; computer vision problems in plant phenotyping; and non-rigid shape analysis and deformable image alignment. Additionally, a panel discussion on video segmentation is included.