One afternoon, a twelve-year-old girl goes missing near her village. The local police tell her mother and the villagers she has been taken by a wild animal. Five years later, young government employee Amantle Bokaa finds a box bearing the label 'Neo Kakang; CRB 45/94'. It contains evidence of human involvement in the affair. So begins an illegal and undercover struggle for justice and retribution. Botswanan High Court Judge Unity Dow's second novel is a gripping story of how groups of 'little people' come together to identify the prime suspects' the 'big men' who are beneath contempt, but above the law.

Bella, an autistic elementary school girl, comes from a well-to-do but uncaring home. Her mother and father frequently push her off onto the school that she attends but makes it difficult for the school to provide services for her special needs. Bella, unable to communicate, struggles with everyday life and needs to be assisted with simple things such as eating, using the bathroom, and changing. Things get worse for Bella before they get better. Bella’s mother sees her child as an obstacle and as competition as she tries to seduce a newly assigned assistant principal who befriends the little girl. Now, as the new principal, he must find ways to help his little friend help herself. Bella, still unable to communicate, is being abused. The principal suspects the abuse is coming from the home but is unable to prove his accusations and has to work around Bella’s parents’ money and power that saved them from numerous litigations. The principal must overcome the obstacles placed before him and find a way to prove their guilt.

One afternoon, a twelve-year-old girl goes missing near her village. The local police tell her mother and the villagers she's been taken by wild animals.

Sixteen-year-old Cassie Jo Stoddard agreed to house sit for relatives on the weekend of September 22, 2006. It was something the teenager had done before…but this time something went terribly wrong. When the family returned home at the end of the weekend they found Cassie lying on their living room floor brutally stabbed to death. Detectives focused on two of Cassie’s classmates who had briefly visited her on the night that she was murdered: Torey Adamcik and Brian Draper. Initially both boys denied any knowledge of the crime, but after two separate interrogations, Brian Draper told detectives a chilling story of murder straight out of a horror movie. The two boys were immediately arrested, and a shocking videotape was discovered that seemed to depict the two teens not only planning the cold-blooded murder, but celebrating it. Community outrage was strong and immediate. The public demanded justice. But was the video actually what it appeared to be: a cold-blooded documentary that detailed the plotting of Cassie’s murder; or something else entirely? Could anyone uncover the truth in time and convince a jury that sometimes things aren't always what they appear to be? The Guilty Innocent is narrated by Shannon Adamcik, mother of Torey, one of the accused boys. It takes readers behind the scenes of a trial where prosecutors cared more about public opinion than truth, defense attorneys, who had never argued a murder case, were in over their heads, and a young boy’s life hung in the balance. The United States is the only country in the world that will charge a juvenile as an adult and sentence them to life without parole. As the mother of one such child, I know exactly what happens when a juvenile is placed in adult court where they cannot defend themselves. They are immediately cut off from all human contact, locked in isolation, and railroaded through a justice system they simply cannot comprehend. Consequently, many of these juveniles are sentenced too much longer and harsher terms than their adult counterparts. I've personally lived through this, and I was compelled to write about it. I began for the simple reason that I had lived through this horrendous ordeal and I ached for someone to confide in. But reliving the most painful part of my life was extraordinarily difficult. Ultimately the only reason that I was able to persevere was my deep belief that the story was important and needed to be told. That is still true. This is a true story and no one can tell it better than the people who lived it. A crime reporter can look at the details of a case, but they cannot tell you how it feels to live through it. I can and I did. I used the pre-trial and trial transcripts, copies of the police reports, the autopsy and DNA reports, and DVD recordings of all of the evidence in the case. I've done copious research. But more importantly, I take readers step-by-step through what it feels like when your 16-year-old son is accused of first-degree murder; all the odds are stacked against him; and his defense is in the hands of attorneys you can’t fully trust to come through for you.

"My name in Monei Ntuka and this is the story of my childhood in the village of Mochudi, in the then British Bechuanaland Protectorate, in the mid to late sixties. It is, of course, not the whole story of my youth, for didn't my grandmother Mma-Tseitsi, mother of my father, tell me many times, A tongue can talk until numb with fatigue, but it can never tell the whole story'? And didn't she gently admonish me saying, Child of my child, a good story teller knows when to stop, just as a dreamer knows when to wake up.' In any event, a look at self can never be a full stare; it has to be a series of glimpses."

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1.7, University of Duisburg-Essen, language: English, abstract: In 2002, Unity Dow’s book The Screaming of the Innocent was published. It deals with the topic of ritual murder in Botswana and gives detailed descriptions of the South African belief in witchcraft, traditional healing and ritual murder. Since the book is not based on a true story it is interesting to find out whether the themes Dow writes about are fictitious as well or if they can be related to Botswana’s every-day life. In an interview Unity Dow claims that ritual murder actually still happens in Southern Africa. This essay will have a closer look on some relevant passages of the book The Screaming of the Innocent and will relate them to the religion, the witchcraft belief, the belief in witchdoctors and the topic of ritual murder in Botswana. A comparison will show whether there are parallels between the fictitious story of the book and the real life in this specific area of Southern Africa.