Here are the full original texts of 150 of the best loved hymns in the English language. Each is accompanied by a fascinating commentary, giving biographical details of the author (such as the Calvinist creator of Rock of Ages who once calculated that the average human sins 2,522,880,000 times); notes on the circumstances in which the hymn was written; and variant versions. Each hymn is prefaced by an urbanely written and agreeably subjective commentary with a wealth of anecdotes and a few ribald parodies. This charming book should also be required reading for all those responsible for choosing hymns in church. Ian Bradley writes with wit, elegance and charm and is quite exceptionally knowledgeable about his subject.

Over 1,000 songs Compiled by C. H. Spurgeon Cloth bound hardback gift book

Understanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion. It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.