Longlisted for the PEN Translation Prize From one of Argentina’s greatest contemporary storytellers, this collection gathers twenty-five of her most remarkable and incandescent short stories in English for the first time The Scent of Buenos Aires offers the first book-length English translation of Uhart’s work, drawing together her best vignettes of quotidian life: moments at the zoo, the hair salon, or a cacophonous homeowners association meeting. She writes in unconventional, understated syntax, constructing a delightfully specific perspective on life in South America. These stories are marked by sharp humor and wit: discreet and subtle—yet filled with eccentric and insightful characters. Uhart’s narrators pose endearing questions about their lives and environments—one asks “Bees—do you know how industrious they are?” while another inquires, “Are we perhaps going to hell in a hand basket?” “Uhart’s stories are concise and filled with both dry and conversational wit and flashes of poignant insight . . . slice-of-life writer . . . ” —Thrillist

Scent of the Trace is an expose of an Architect's inner dialogues during the design process. The book contains a detailed and extensive documentation of the internal struggle to conceptually ground and position three different works of architecture; Sancaklar Mosque, Bergama Cultural Center and Yalikavak Palmarina. Emre Arolat investigates how architecture can exceed its boundaries by envisioning the interaction between the work of architecture and the community, the unique interpretation of the context and the relation to its physical surroundings. Arolat's writing shows that works of architecture are palimpsests and as such are devoid of any single message. Accompanied by sketches, drawings and photographs that give insight into the design process, the book presents the search for an architecture construct that nurtures culture, social interaction and diversity, fostering relationships where the key to a design is not to be found in its "origin" but in its "destination," where architecture transforms the destiny of a place. Emre Arolat is the Founding Partner and Lead Designer of EAA-Emre Arolat Architecture, an international design studio with offices in New York, London and Istanbul. Since 2004, EAA has cultivated a design approach, reconciling issues of identity that is rooted in historical and geographic traditions, yet recognizes the inescapable demands of the contemporary world.

From an impressive sisterhood of YA writers comes an edge-of-your-seat anthology of historical fiction and fantasy featuring a diverse array of daring heroines. Crisscross America — on dogsleds and ships, stagecoaches and trains — from pirate ships off the coast of the Carolinas to the peace, love, and protests of 1960s Chicago. Join fifteen of today’s most talented writers of young adult literature on a thrill ride through history with American girls charting their own course. They are monsters and mediums, bodyguards and barkeeps, screenwriters and schoolteachers, heiresses and hobos. They're making their own way in often-hostile lands, using every weapon in their arsenals, facing down murderers and marriage proposals. And they all have a story to tell. With stories by: J. Anderson Coats Andrea Cremer Y. S. Lee Katherine Longshore Marie Lu Kekla Magoon Marissa Meyer Saundra Mitchell Beth Revis Caroline Richmond Lindsay Smith Jessica Spotswood Robin Talley Leslye Walton Elizabeth Wein

A study of prostitution necessarily examines questions of power, class, gender, and public health. In Sex and Danger in Buenos Aires these questions combine with particular force. During most of the time covered in this provocative book, from the late nineteenth century well into the twentieth, prostitution was legal in Argentina. Fears and anxieties concerning the effect of female sexual commerce on family and nation were rampant. Donna J. Guy looks at many aspects of the debate that followed an escalating demand for prostitutes by Argentines and European immigrants. She discusses the widespread fear of white slavery, the merits of medically supervised municipal houses of prostitution, the rights of local governments to restrict the civil liberties of citizens and foreigners, the censorship of literature and music dealing with the plight of prostitutes, and the potential criminality of unsupervised working women who might abandon their families. Guy also describes attempts to deal with female prostitution: rehabilitation, modifications of municipal bordello laws, and medical programs to prevent the spread of venereal disease. She makes clear that the treatment of "marginal" women by liberal politicians and doctors helped promoted policies of repression and censorship that would later be extended to other unacceptable social groups. Her study of how both local and national government in Argentina dealt with these women reveals important links between gender, politics, and economics.

"The language [takes] on a musicality that is in sharp contrast to the bleak setting . . . refreshing . . . a strong debut." —New York Times Book Review “Subramanian writes with empathy and exuberance, offering a much-needed glimpse into a world that too many of us don't even know exists. This is a book to give your little sister, your mother, your best friend, yourself, so together you can celebrate the strength of women and girls, the tenacity it takes to survive in a world that would rather have you disappear.”—Nylon In the tight-knit community known as Heaven, a ramshackle slum hidden between luxury high-rises in Bangalore, India, five girls on the cusp of womanhood forge an unbreakable bond. Muslim, Christian, and Hindu; queer and straight; they are full of life, and they love and accept one another unconditionally. Whatever they have, they share. Marginalized women, they are determined to transcend their surroundings. When the local government threatens to demolish their tin shacks in order to build a shopping mall, the girls and their mothers refuse to be erased. Together they wage war on the bulldozers sent to bury their homes, and, ultimately, on the city that wishes that families like them would remain hidden forever. Elegant, poetic, and vibrant, A People’s History of Heaven takes a clear-eyed look at adversity and geography--and dazzles in its depiction of these women’s fierceness and determination not just to survive, but to triumph.

"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Ugly dolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--

With the intrigue of a detective story, "Hunting Eichmann" follows the Nazi as he escapes two American POW camps, hides in the mountains, and builds an anonymous life in Buenos Aires, before finally being captured and brought to trial.