An idealistic suffragette... Miss Frederica "Free" Marshall has put her heart and soul into her newspaper, known for its outspoken support of women's rights. Naturally, her enemies are intent on destroying her business and silencing her for good. Free refuses to be at the end of her rope...but she needs more rope, and she needs it now. ...a jaded scoundrel... Edward Clark's aristocratic family abandoned him to die in a war-torn land, so he survived the only way he could: by becoming a rogue and a first-class forger. When the same family that left him for dead vows to ruin Miss Marshall, he offers his help. So what if he has to lie to her? She's only a pawn to use in his revenge. ...and a scandal seven years in the making. But the irrepressible Miss Marshall soon enchants Edward. By the time he realizes that his cynical heart is hers, it's too late. The only way to thwart her enemies is to reveal his scandalous past...and once the woman he loves realizes how much he's lied to her, he'll lose her forever. The Suffragette Scandal is the fourth full-length historical romance in The Brothers Sinister series. The other books in the series are: ½. The Governess Affair (a prequel novella) 1. The Duchess War 1½. A Kiss for Midwinter (a companion novella to The Duchess War) 2. The Heiress Effect 3. The Countess Conspiracy 4. The Suffragette Scandal 4½. Talk Sweetly to Me (a coda to The Brothers Sinister Series) The Suffragette Scandal was originally listed as The Mistress Rebellion in some promotional materials, but the title has changed.

An English heiress to a chocolate fortune fights for freedom and for love in this historical romance. When chocolate heiress Violet Coombes is caught hanging her suffragette banner in a most shocking place, Adam Beaufort, Esquire, proposes a marriage of convenience! His good name will avert scandal for her family, and her money will save the estate Adam’s father gambled away. Violet accepts, but she’s determined nothing will distract her from the Cause—including her oh-so-tempting husband!

From the author of Little Gloria . . . Happy at Last, a stunning combination of history and biography that interweaves the stories of some of the most important social, political, and religious figures of America's Victorian era with the courageous and notorious life of Victoria Woodhull, to tell the story of her astonishing rise and fall and rise again. This is history at its most vivid, set amid the battle for woman suffrage, the Spiritualist movement that swept across the nation (10 million strong by midcentury) in the age of Radical Reconstruction following the Civil War, and the bitter fight that pitted black men against white women in the struggle to win the right to vote.

A fresh look at the life and times of Victoria Woodhull and Tennie Claflin, two sisters whose radical views on sex, love, politics, and business threatened the white male power structure of the nineteenth century and shocked the world. Here award-winning author Myra MacPherson deconstructs and lays bare the manners and mores of Victorian America, remarkably illuminating the struggle for equality that women are still fighting today. Victoria Woodhull and Tennessee "Tennie" Claflin-the most fascinating and scandalous sisters in American history-were unequaled for their vastly avant-garde crusade for women's fiscal, political, and sexual independence. They escaped a tawdry childhood to become rich and famous, achieving a stunning list of firsts. In 1870 they became the first women to open a brokerage firm, not to be repeated for nearly a century. Amid high gossip that he was Tennie's lover, the richest man in America, fabled tycoon Cornelius Vanderbilt, bankrolled the sisters. As beautiful as they were audacious, the sisters drew a crowd of more than two thousand Wall Street bankers on opening day. A half century before women could vote, Victoria used her Wall Street fame to become the first woman to run for president, choosing former slave Frederick Douglass as her running mate. She was also the first woman to address a United States congressional committee. Tennie ran for Congress and shocked the world by becoming the honorary colonel of a black regiment. They were the first female publishers of a radical weekly, and the first to print Karl Marx's Communist Manifesto in America. As free lovers they railed against Victorian hypocrisy and exposed the alleged adultery of Henry Ward Beecher, the most famous preacher in America, igniting the "Trial of the Century" that rivaled the Civil War for media coverage. Eventually banished from the women's movement while imprisoned for allegedly sending "obscenity" through the mail, the sisters sashayed to London and married two of the richest men in England, dining with royalty while pushing for women's rights well into the twentieth century. Vividly telling their story, Myra MacPherson brings these inspiring and outrageous sisters brilliantly to life.

Honoring the 100th anniversary of the 19th amendment to the Constitution, this exciting history explores the full scope of the movement to win the vote for women through portraits of its bold leaders and devoted activists. Distinguished historian Ellen Carol DuBois begins in the pre-Civil War years with foremothers Lucretia Mott, Elizabeth Cady Stanton, Susan B. Anthony, and Sojourner Truth as she explores the links of the woman suffrage movement to the abolition of slavery. After the Civil War, Congress granted freed African American men the right to vote but not white and African American women, a crushing disappointment. DuBois shows how suffrage leaders persevered through the Jim Crow years into the reform era of Progressivism. She introduces new champions Carrie Chapman Catt and Alice Paul, who brought the fight into the 20th century, and she shows how African American women, led by Ida B. Wells-Barnett, demanded voting rights even as white suffragists ignored them. DuBois explains how suffragists built a determined coalition of moderate lobbyists and radical demonstrators in forging a strategy of winning voting rights in crucial states to set the stage for securing suffrage for all American women in the Constitution. In vivid prose DuBois describes suffragists’ final victories in Congress and state legislatures, culminating in the last, most difficult ratification, in Tennessee. DuBois follows women’s efforts to use their voting rights to win political office, increase their voting strength, and pass laws banning child labor, ensuring maternal health, and securing greater equality for women. Suffrage: Women’s Long Battle for the Vote is sure to become the authoritative account of one of the great episodes in the history of American democracy.

“A remarkable biography . . . Well written and researched, this book warrants a spot on every serious American history student’s bookshelf.” —Kirkus Reviews, starred review She was the first woman to run for president. She was the first woman to address the U.S. Congress and to operate a brokerage firm on Wall Street. She’s the woman Gloria Steinem called “the most controversial suffragist of them all.” So why have most people never heard of Victoria Woodhull? In this extensively researched biography, journalist Mary Gabriel offers readers a balanced portrait of a unique and complicated woman who was years ahead of her time—and perhaps ahead of our own. “One of the most controversial American women of the late nineteenth century springs to life in this study that leaves no stone unturned.” —Publishers Weekly “[A] deftly written biography . . . of a hell-raising visionary.” —Mirabella “A meaty slice of feminist history peppered with Victorian drama.” —Civilization

In the twenty-first century, the romance genre has gained a growing academic response, including the creation of the International Association for the Study of Popular Romance. Popular romance has long been so ignored and maligned that seemingly every scholarly work on it opens with a lengthy defense of the genre and its value for academic study. Even the early scholarly works on the genre approach it in ways that, while primarily respectful, make sweeping generalizations about popular romance, its texts, and its readers. This essay collection examines the position of the romance genre in the twenty-first century, and the ways in which romance responds to and influences the culture and community in which it exists. Essays are divided into six sections, which cover the genre's relationship with masculinity, the importance of consent, historical romance, representation, social status and web-based romance fiction.