The Complete Works of Sir Richard Francis Burton (Illustrated & Annotated Edition) is a rich collection of the literary masterpieces of the esteemed author. Known for his adventurous spirit and linguistic abilities, Burton's works vary from travel narratives to translations of classical texts. This unrivaled compilation showcases his remarkable literary style, blending vivid descriptions with insightful commentary. The annotations provide valuable context to each piece, enhancing the reader's understanding of Burton's profound insights into different cultures and societies. Richard Francis Burton, a seasoned explorer and polymath, drew inspiration for his works from his extensive travels to exotic lands and his deep knowledge of languages. His unconventional lifestyle and bold pursuits greatly influenced his writings, making them a captivating blend of personal experiences and scholarly observations. Burton's unparalleled dedication to understanding the world around him shines through in this comprehensive collection, offering a unique glimpse into the mind of a true literary pioneer. I highly recommend The Complete Works of Sir Richard Francis Burton to any reader fascinated by travel literature, cultural studies, or historical explorations. This meticulously curated edition is a testament to Burton's enduring legacy and a testament to the power of exploration and intellectual curiosity.

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DigiCat Publishing presents to you this special edition of "The Satyricon — Complete" by Petronius Arbiter. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This is the first comprehensive scholarly bibliography/research guide/sourcebook on the major French Fauve painters (Henri Matisse and Georges Braque are treated in separate Greenwood bio-bibliographies). It includes information on 3,120 books and articles as well as chronologies, biographical sketches, and exhibition lists. Each artist receives a primary and secondary bibliography with many annotated entries. Secondary bibliographies include details about each artists' life and career, relationships with other artists, work in various media, iconography, and more. Designed for art historians, art students, museum and gallery curators, and art lovers alike, this volume organizes the vast literature surrounding this fascinating, revolutionary, 20th-century art group. Genuinely new art is always challenging, sometimes even shocking to those unprepared for it. In 1905, the paintings of Matisse, Derain, Vlaminck and their friends shocked conservative museum-goers; hence, the eventual popularity of art critic Louis Vauxcelles's tag les fauves, or wild beasts by which these artists became known. Although it lasted only three or four years, Fauvism is recognized as the first artistic revolution of international consequence in the 20th century. It was based on the glorification of pure saturated colors and the free expression of primitivism. It was a dynamic sensualism; an equilibrium of passion and order, fire and austerity that could not last. By the end of 1908, Fauvism collapsed in the face of Cubism, which, moreover, several Fauve artists helped to form.