This study explores five major narratives of Ghanian-born novelist William Boyd from a satiric point of view. Boyd's novels and short stories take up some of the particular traits of satire, a genre which has gradually lost the impact it had in the eighteenth century. This book analyses the satiric spirit of four novels and one short story: A Good Man in Africa, An Ice-Cream War, Stars and Bars, Armadillo and The Destiny of Nathalie 'X'. It looks at the way Boyd approaches crucial events in twentieth-century history and how he unmasks the follies that underlay most of them. It also deals with issues such as the effects of British colonialism in Africa, the superficiality of Hollywood's film industry and the shortcomings of modern urban civilisation. The theoretical framework of this study is based on the analysis of recent satire criticism.

When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself-an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s. William Boyd is the author of nine novels, including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Memorial Prize and shortlisted for the Booker Prize; Brazzaville Beach, winner of the James Tait Black Memorial Prize; and Restless, winner of the Costa Novel of the Year Award. Praise for Nat Tate: "William Boyd's description of Tate's working procedure is so vivid that it convinces me that the small oil I picked up on Prince Street, New York, in the late '60s must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist's most profound dread-that God will make you an artist but only a mediocre artist-did not in retrospect apply to Nat Tate."-David Bowie "A moving account of an artist too well understood by his time."-Gore Vidal

THE SUNDAY TIMES BESTSELLERVienna, 1913. Lysander Rief, a young English actor, sits in the waiting room of the city's preeminent psychiatrist as he anxiously ponders the particularly intimate nature of his neurosis. When the enigmatic, intensely beautiful Hettie Bull walks in, Lysander is immediately drawn to her, unaware of how destructive the consequences of their subsequent affair will be. One year later, home in London, Lysander finds himself entangled in the dangerous web of wartime intelligence - a world of sex, scandal and spies that is slowly, steadily, permeating every corner of his life...

"It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. While the world is reeling our trio is involved in making a rackety Swingin' Sixties British movie in sunny Brighton. All are leading secret lives.As the film is shot, with its usual drastic ups and downs, so does our trio's private, secret world begin to take over their public one. Pressures build inexorably - someone's going to crack. Or maybe they all will"--Publisher description

“William Boyd seems singularly blessed with both an innate love of storytelling and the talent to render those stories in swift, confident prose.” —The New York Times From William Boyd, award-winning author of Brazzaville Beach and Restless, comes a stunning literary mystery about crime and punishment: Ordinary Thunderstorms. One of the most accomplished writers of our time, Boyd has written a profound and gripping novel about the fragility of social identity, the corruption at the heart of big business, and the secrets that lie hidden in the filthy underbelly of every city.

This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile

As millions are slaughtered on the Western Front, a ridiculous and little-reported campaign is being waged in East Africa - a war they continued after the Armistice because no one told them to stop.