A serial killer is on the loose in Sacramento River Delta. When Sara Mason returns to her hometown to start a new life, she learns that a murderer is terrorizing its residents. Despite battling difficult childhood memories, Sara is determined to make peace with her past. But she soon learns that the elusive psychopath is now stalking her. Sara's attempt to rebuild her life is hindered even more by the discovery of skeletal remains on her property. As the investigation focuses on several suspects, Sara discovers critical clues and bravely volunteers to be a decoy for the sheriff's department. Sara's destiny has brought her back home, but will her decision lead her down a path lined with danger... and straight into the arms of a madman?

Two golden-age mystery novels by a southern author. In 'The House that Hate Built, ' a woman who has married into wealth, and spent most of her life spiting her relatives, is found murdered. In 'The Whip', a young psychiatrist is asked by the police to interview a confessed murderess, but finds her troubling story doesn't add up

Now streaming on Netflix and BBC iPlayer! The Breakfast Club meets Pretty Little Liars in Gretchen McNeil's sharp and thrilling sequel to Get Even. Perfect for fans of E. Lockhart, Karen M. McManus, and Maureen Johnson. The members of Don't Get Mad aren't just mad anymore . . . they're afraid. And with Margot in a coma and Bree under house arrest, it's up to Olivia and Kitty to try to catch their deadly tormentor. But just as the girls are about to go on the offensive, Ed the Head reveals a shocking secret that turns all their theories upside down. The killer could be anyone, and this time he—or she—is out for more than just revenge. The girls desperately try to discover the killer's identity as their own lives are falling apart: Donté is pulling away from Kitty and seems to be hiding a secret of his own, Bree is sequestered under the watchful eye of her mom’s bodyguard, and Olivia's mother is on an emotional downward spiral. The killer is closing in, the threats are becoming more personal, and when the police refuse to listen, the girls have no choice but to confront their anonymous “friend” . . . or die trying.