A careful and detailed presentation of the architectural remains of the Sanctuary of Demeter and Kore on the slopes of Acrocorinth, beginning with the earliest traces of occupation in the Mycenaean period and ending with the Late Roman cemetery. The first chapter presents the ancient testimonia for the location of the sanctuary and details its discovery by the excavators. In the chapters on the architecture, arranged chronologically, the authors describe in detail the buildings found on each of the three terraces of the sanctuary, including the dining rooms, cooking and bathing facilities, and religious structures. A separate chapter discusses the elements of the Acrocorinth dining rooms and their place in the architecture of sacred dining. Extensively illustrated with section drawings and plans.

About 24,000 figurines and fragments have been found on Acrocorinth, and this study greatly increases our understanding of the way in which this artform developed over the centuries.

This volume presents the terracotta miscellaneous finds from the Sanctuary of Demeter and Kore at Acrocorinth. The finds comprise 21 classes, including protomes and masks, altars, plaques, models of various personal and household items, and loomweights and other textile tools (the latter initially studied by Gloria S. Merker and brought to publication by Nancy Bookidis). In addition to providing a catalogue of the finds arranged according to their subjects, the authors compare these finds with similar objects found elsewhere in Greece and refer to literary, epigraphical, and visual sources to understand their possible uses and meanings and the character of religious activity that may have triggered their dedication in the sanctuary. This volume will greatly facilitate comparative studies of ancient Greek miscellaneous finds and will be an important reference for historians of Greek art as well as of Greek religion.

Excavations conducted by the American School of Classical Studies at Athens in the Sanctuary of Demeter and Kore on Acrocorinth, 1961-1975, produced more than 170 inscribed objects of stone, bronze, bone, lead weights, pottery (graffiti and dipinti), clay pinakes, magical lead tablets, and in a mosaic. In this new Corinth volume, Ron Stroud presents all of these inscriptions, and he relates them to an overall interpretation of the activities, secular and religious, attested in this shrine during its long period of use from the 7th century B.C. until the end of the 4th century A.D. Where possible, Stroud also draws out their implications for and contribution to the history of ancient Corinth, the worship of the goddesses Demeter and Kore, and the practice of magic-especially in the Roman period. This is the final publication of the inscribed objects from the sanctuary, excluding loomweights and stamped amphora handles, which will be included in a later publication.

The fifth part of the Corinth volume dedicated to the Sanctuary of Demeter and Kore publishes the large-scale terracotta sculpture found in the sanctuary. Extending from the late 7th through the 4th century B.C., the sculpture consists of fragments from 132 to as many as 147 statues, from half- to nearly life-size. These are, for the most part, statues of young males, both draped and nude, although females and seated infants appear as well. Several introductory chapters discuss the types represented, the findspots and possible original placement of the sculptures, and the techniques involved in their construction. The fragments are presented in 156 well-illustrated catalogue entries. This volume greatly expands our knowledge of the history of Corinth, broadening our understanding both of cult practices at the site and of the manufacture of terracotta sculpture.

When the Roman tourist Pausanias visited Corinth around A.D. 160, he saw many shrines and buildings high up to the south of the city, on the slopes of Acrocorinth. This booklet describes excavations at one of these, the Sanctuary of Demeter and Persephone (Kore). The details of religious rites revealed are of particular interest since the cult of the two goddesses, also celebrated at Eleusis, is one of the most mysterious in antiquity, and no literary testimony exists to explain what may have happened behind the high walls. Terracotta dolls, ritual meals of pork, and miniature models of food-filled platters hint at a vigorous religious tradition associated with human and agricultural fertility.