'The Alan Clark diaries of cultural politics' Sunday Times 'At every word a reputation dies' A. N. Wilson Roy Strong is best known as the flamboyant former director of two great cultural institutions - the National Portrait Gallery and the Victoria & Albert Museum. In his first volume of diaries, he takes the reader into the heart of his career, revealing himself to be not just a mercurial and brilliant administrator, but also a shrewd observer of the glittering and political milieu into which he was drawn. We encounter David Hockney in his studio, the poignant figure of Cecil Beaton in decline, Nureyev fizzing with ideas and the Philistine Mrs Thatcher among many others, including a bevy of the Royal Family. And throughout the diaries runs the thread of an exceptional marriage, following his elopement with the designer Julia Trevelyan Oman. Splendours and Miseries provides a unique panorama of the world of the arts, fashion and society, taking us from the outrageous Swinging Sixties to the hard-edged glitz of Thatcher's Britain.

'The Alan Clark diaries of cultural politics' Sunday Times 'At every word a reputation dies' A. N. Wilson Roy Strong is best known as the flamboyant former director of two great cultural institutions - the National Portrait Gallery and the Victoria & Albert Museum. In his first volume of diaries, he takes the reader into the heart of his career, revealing himself to be not just a mercurial and brilliant administrator, but also a shrewd observer of the glittering and political milieu into which he was drawn. We encounter David Hockney in his studio, the poignant figure of Cecil Beaton in decline, Nureyev fizzing with ideas and the Philistine Mrs Thatcher among many others, including a bevy of the Royal Family. And throughout the diaries runs the thread of an exceptional marriage, following his elopement with the designer Julia Trevelyan Oman. Splendours and Miseries provides a unique panorama of the world of the arts, fashion and society, taking us from the outrageous Swinging Sixties to the hard-edged glitz of Thatcher's Britain.

For over three decades Roy Strong has teased, tantalized, amused, and sometimes enraged the British public, firstly in his capacity as the Director of two great cultural institutions, the National Portrait Gallery and the Victoria and Albert Museum, and more recently as a broadcaster, writer, garden expert, and historian. Provocative on the issues of running a cash-starved museum, above all the diaries are a wonderfully entertaining chronicle of an age and some of its most memorable celebrities.

'Roy Strong's diaries are a treasure . . . magnificently readable' THE TIMES 'Essential reading' TATLER 'When it comes to viperish high-society gossip, Roy Strong is in a class of his own' DAILY MAIL In January 2004, where his third volume of Diaries begins, Roy Strong was in a state of deep grief following the death of his wife, Julia Trevelyan Oman, three months earlier. Yet the following years demonstrate his determination, energy and creativity. New ideas for books are brought to fruition, regular forays into the worlds of TV and radio are made, concluding with the Sir Portrait exhibition at the National Portrait Gallery and news of his forthcoming appointment as a Companion of Honour for services to the nation's culture. Encounters with churchmen, politicians, royalty - and friends old and new - are all described with a telling eye for detail and delicious wit. While there is frustration at the changing world around him, Types and Shadows is a hugely informative and entertaining record of a uniquely full and colourful life.

'Viper wit from the gardener, writer and Knight of exquisite taste' DAILY TELEGRAPH 'Funny, barbed and moving ... magnificently readable' THE TIMES Scenes and Apparitions covers a period of Roy Strong's life from 1988 to 2003. A sequel to Splendours and Miseries, it is an unmissable record of how a citizen at the close of the second Elizabethan age observed and chronicled his own world at the turn of the century. Although it is not without tragedy - the murder of his friend Gianni Versace, and the death of his beloved wife Julia Trevelyan Oman - there is plenty to enjoy from his descriptions of Elton John's fiftieth birthday party, to a concert for the Queen Mother, and his portraits of marriage, friendship, work and his celebrated garden, The Laskett.

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times

'A triumph' INDEPENDENT 'A thought-provoking and indispensable book' DAILY MAIL 'An instant classic ... I have been reading it with unalloyed admiration and delight' EVENING STANDARD Roy Strong has written an exemplary introduction to the history of Britain, as first designated by the Romans. It is a brilliant and balanced account of successive ages bound together by a compelling narrative which answers the questions: 'Where do we come from?' and 'Where are we going?' Beginning with the earliest recorded Celtic times, and ending with the present day of Brexit Britain, it is a remarkable achievement. With his passion, enthusiasm and wide-ranging knowledge, he is the ideal narrator. His book should be read by anyone, anywhere, who cares about Britain's national past, national identity and national prospects.