This correspondence between the leading art agent of the mid-Victorian period, known as "The Owl," and the family of his chief client, Dante Gabriel Rossetti, may be the most complete record of the artist-agent relationship. The letters also provide much new information about a leading artist-poet, the Pre-Raphaelite circle, and the leading London artists and writers beyond that circle, from Madox Brown to Swinburne. The then new role of artist's agent was defined in many respects by Charles Augustus Howell, flamboyant yet cultivated son of an English artist-wine merchant and an aristocratic Portuguese lady. Starting as an international man of mystery with some involvement in railways, Howell emerged in 1866 as Ruskin's secretary with a sideline as art salesman and interior decorator. During the 1870's he became the friend and business associate not only of D.G. Rossetti but also of Whistler, G.F. Watts, and Burne-Jones, Sandys, and other principal artists. His consummate salesmanship was most evident in the case of Rossetti, who refused to exhibit his works or even allow them to be seen unless the viewer was a certain buyer. Dubbed "Owl" by Burne-Jones, Howell was described by Whistler as "the wonderful man, the genius, the superb liar, the Gil-Blas, Robinson-Crusoe hero out of his proper time, the creature of top-boots and plumes." The letters from the Rossettis to Howell are published here for the first time, having been sold by Howell's estate to a family that subsequently sold them to the University of Texas. The whole correspondence--together with Professor Cline's introduction, notes, and index--"alters all existing catalogues and bibliographies and critical studies of D.G. Rossetti," says Stanley Weintraub, author of Whistler and Four Rossettis.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Rossetti's Wombat tells the story of Top, a wombat who belonged to the Pre-Raphaelite painter Dante Gabriel Rossetti for a few months in 1869. The book also describes the strange history of the European fascination with the wildlife of Australia, from the late 18th century onwards. By 1860, most well-to-do people could buy a pet kangaroo from a London pet shop - and many of them did. Wombats were rarer and more expensive but the tradition of wombat owning was well established by the turn of the 19th century. Napoleon had a pet wombat, as did the Duke of Edinburgh. Rossetti's Wombat is a light-hearted account of an improbable side of Victorian England. It examines the way a wombat participated in the delicate relationships between the men and women in the Pre-Raphaelite circle - particularly Rossetti's emotional affair with Jane Morris, wife of his friend and colleague William Morris. Fully illustrated with drawings and etchings of the period, Rossetti's Wombat will appeal to those with an interest in Victorian England and the Pre-Raphaelites - and to wombat lovers everywhere. John Simons is Professor of English and Dean of the Faculty of Media, Humanities and Technology at the University of Lincoln. He has published widely on subjects ranging from medieval chivalric romance to Andy Warhol, and from editions of medieval and early modern texts to a history of Hampshire cricket.