This biography of the early 20th-century newspaper giant who became news after killing his wife “has the pace and detail of an engrossing historical novel” (Boston Herald). As city editor of Joseph Pulitzer’s New York Evening World, Charles E. Chapin was the quintessential newsroom tyrant: he drove reporters relentlessly, setting the pace for evening press journalism with blockbuster stories from the Harry K. Thaw trial to the sinking of the Titanic. At the pinnacle of his fame in 1918, Chapin was deeply depressed and facing financial ruin. He decided to kill himself and his wife Nellie. But after shooting Nellie in her sleep, he failed to take his own life. The trial made one hell of a story for the Evening World’s competitors, and Chapin was sentenced to life in Ossining, New York’s, infamous Sing Sing Prison. In The Rose Man of Sing Sing, James McGrath Morris tracks Chapin’s journey from Chicago street reporter to celebrity New York powerbroker to infamous murderer. But Chapin’s story is not without redemption: in prison, he started a newspaper fighting for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and transformed barren prison plots into world-famous rose gardens. The first biography of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.

Based on extensive research with original sources, Brian's narrative covers every period of the prison's checkered history, from the awful conditions of the 19th century to the relative improvements of the 20th century to today.

A popular backdrop for numerous movies, Sing Sing, or "the Big House," has been a site of both controversy and reform. The history of Sing Sing dates back to 1825, when warden Elam Lynds brought one hundred inmates to begin construction of the prison "up the river" on the banks of the Hudson. The marble quarry that supplied the building material for the prison was located in an area that was once home to the Sint Sink, a Native American tribe whose name means "stone upon stone." Prison life was dominated by hard labor during the early years. Convicts in striped suits and shackles built the prison with their own hands. With the arrival of warden Lewis Lawes in 1920, Sing Sing became the most progressive prison of its kind. During this time, the New York Yankees traveled up to Sing Sing to play the prison's home baseball team; the prison grounds were landscaped with shrubbery and flower gardens; and the compound grew to include a chapel, mess hall, barbershop, library, and gymnasium. The electric chair was first introduced at Sing Sing in 1891. Julius and Ethel Rosenberg, the first civilians to be found guilty of espionage, were put to death there in 1953. Sing Sing Prison contains rare photographs from the prison archives, the Ossining Historical Society, and a private collection.

From the riotous days of Prohibition and the Jazz Age to the brutal awakening of Pearl Harbor, one man ruled the fate of America's most dangerous criminals. He was Lewis E. Lawes, warden of Sing Sing prison, the Big House up the river, who believed that no man was beyond redemption. Warden Lawes couldn't banish the electric chair (though he tried) but he knew that humanitarian care and good morale provided better security than the stoutest walls. Lawes befriended the Hollywood greats, Charlie Chaplin and Humphrey Bogart and Spencer Tracy and Harry Warner, opening Sing Sing to the movies and exposing prisoners to the glamour of the silver screen. He brought Babe Ruth to Sing Sing, fielded a winning football team called The Black Sheep that brought gridiron glory to the circuit known as the Big Pen, and ran training shops, school classes and culture programs. Truly, Warden Lawes made Sing Sing sing. But Lawes was no pushover. He brought law to Sing Sing, a tale that comes alive in the hands of prize-winning New York Times reporter Ralph Blumenthal. He killed on orders from the state, consigning 303 condemned men and women to the electric chair. But he crusaded fiercely against the death penalty as useless and preached that every man deserved a second chance, even if, in the end, he faced a terrible betrayal. Lawes taught the nation that a jail was a lockup but a prison was a community. With his perfect name and flawless eye for fashion, Lawes took over as the ninth warden in eight years -- at 39, the youngest man to lead the century-old institution, then overflowing with more than a thousand hardened criminals and luckless youths. Vice was rife -- bribery, alcohol, drugs and sex. The political bosses held sway, swinging deals for favored inmates. Enemies accused him of coddling prisoners but he ridiculed the charge. No one was coddled on a food budget of 18 cents a day. Lawes lived with his wife and daughters in a Victorian mansion abutting the cellblock, where he was shaved each morning by a prison barber convicted of slashing a man's throat, the household cook was a murderer, and his youngest daughter's favorite babysitter was serving twenty-five years for kidnapping. Lawes tamed the tyrannical Charles E. Chapin who had terrorized generations of reporters as the editor of Joseph Pulitzer's Evening World before murdering his wife and winding up as Lawes's favorite horticulturist, the Rose Man of Sing Sing. Lawes championed the advent of radio and used it to inspire his prisoners and educate the public on penal reform. He wrote film scripts and radio plays and dramas and best-selling books. But in the end, his finest tribute came not from the mighty but a lowly prisoner in the yard who muttered, to no one in particular, "There was a right guy."

A Brooklyn stickup artist, his taxi-dancing wife, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converge in 1930s Sing Sing heading toward death, redemption-and Ebbets Field. *** "DANCE HALL: A NOVEL OF SING SING" unveils a grand and riveting tale of a violent and desperate past, unforgettably narrated in a gripping, often wry, fashion--recorded in tears and punctuated in--rarely innocent--blood. Dance Hall flawlessly transports readers to a seedy, volatile 1930s underworld where love and honor and redemption jostle for mere survival with greed and lust and betrayal. Dance Hall reveals the story of a Brooklyn stickup artist, his taxi-dancing Filipina spouse, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converging in Sing Sing, destined for love, death, forgiveness, redemption--and Ebbets Field. Dance Hall reveals a page-turning web of perfectly-balanced back stories: of a young parish priest gone wrong and then right again, of a brutal Bowery killer with escape on his mind, a con man with the vestige of a conscience, a thuggish Garment District goon with a devout sister, a tell-all Broadway gossip columnist who can make or break you, a rat of an accomplice, a once-disgraced private detective who now surprisingly elevates a principle above a paycheck. Read Dance Hall and you live and breathe life inside cold and desperate prison halls and cells; sweaty and often violent Brooklyn dime-a-dance dance halls; threadbare tenements, back-alley speakeasies where anything you wanted badly enough was for sale; the offices of the rich and powerful and still conflicted; and of a waiting area for Sing Sing's "Death Row" called "The Dance Hall"--all while returning you to Depression days when hope reigned supreme. Because hope was all you had.

When Texas Prison Scams Religion exposes corruption in the Texas Department of Criminal Justice, especially in the abuse of religion. In many ways, this book is a literature review of 1,800-plus works that defends freedom of conscience in prison while exposing the unconstitutionality of the seminary program that “buys faith with favor” from prisoners. The state veritably ordains the prisoner a “Field Minister” that represents the offices of the Governor, TDCJ Director, and wardens throughout the prison. Therein, TDCJ lies about neutrality in a program all about Christian missions and lies again in falsely certifying elementary Bible students as counselors. Why is the director sponsoring psychopaths counseling psychopaths? In fact, TDCJ pays $314 million a year to UTMB for psychiatric care and receives not a single report of the care given, and worse, for UTMB generates no reports itself. The underbelly TDCJ’s executive culture of cover up is exposed. TDCJ has hired the lowest qualified of the applicant pool many times in the last 25 years and regularly destroys statistics on violence. TDCJ Dir. Collier led the prison to model Louisiana Warden Burl Cain, the most scandal-ridden in penal history according to a host of published news stories for 20 years. Therein, Collier led TDCJ to favor the smallest segment of religious society within Evangelical Dominionism. Texas has no business endorsing the truth of any religion over another. We close with a proposal that utilizes the 400,000,000 hours of officer contact over ten years as a definitive influence in contrast to a commissioner that spends less than 10 minutes on each decision. Maness has been lobbying Austin for 15 years to definitively access staff for his “100,000 Mothers’ 1% Certainty Parole Texas Constitutional Amendment,” which would revolutionize prison culture and save Texans millions of the dollars.

Catch Me If You Can meets The Great Gatsby meets Cary Grant in To Catch a Thief in this captivating Jazz Age true-crime caper about "the greatest jewel thief who ever lived" (Life Magazine), Arthur Barry, who charmed celebrities and millionaires—everyone from Rockefellers to members of the royal family—while simultaneously planning and executing the most audacious and lucrative heists of the 1920s. “A master of narrative nonfiction. In this mesmerizing tale about a Jazz Age gentlemanly thief, Jobb has found his own perfect jewel.” ―DAVID GRANN, #1 New York Times bestselling author of The Wager and Killers of the Flower Moon “An enthrallingly propulsive, unpredictably twisty biography of one of the most fascinating criminals of the 20th Century. I was hooked from the very first heist.” ―MICHAEL FINKEL, New York Times bestselling author of The Art Thief and The Stranger in the Woods A skilled con artist and one of the most successful burglars in history, Arthur Barry was adept at slipping in and out of bedrooms undetected, even when his victims slept only inches away. He became a folk hero, a gentleman bandit touted in the press as the “Prince of Thieves” and an “Aristocrat of Crime.” Think Cary Grant in To Catch a Thief. In a span of seven years, Barry stole pearls, diamonds, and other precious gems worth almost $60 million today. Among his many victims were a Rockefeller, an heiress to the Woolworth Department Store fortune, an oil magnate, Wall Street bigwigs, a top executive of automotive giant General Motors, and a famous polo player. He befriended the Prince of Wales, Harry Houdini, and other luminaries. The rollicking, caper-filled rise and dramatic downfall of this master thief is a high-speed ride told in stylish prose. A Gentleman and a Thief is also a love story. Barry confessed to dozens of burglaries to protect his wife, Anna Blake (and was the prime suspect in scores of others on Long Island and across Westchester County). Sentenced to a twenty-five-year term, he staged a dramatic prison break—triggering a bloody inmates' riot—when Anna became seriously ill, so they could be together for a few more years as fugitives. Page-turning, escapist, and sparkling with insight into the allure of gemstones and our fascination with well-planned heists and the suave, clever criminals who pull them off, A Gentleman and a Thief is perfect for true crime fans who relish the exploits of con artists and high-class crooks.