Providing an intimate and timely view of Merton, this book traces the theme of peace and nonviolence in Merton's life and writings, drawing in particular on extensive correspondence with Jim Forest, a Merton biographer.

The much-beloved and most widely read of Mertons works, "New Seeds of Contemplation" covers a diverse range of subjects including faith, spiritual wonder, "the night of the senses," and renunciation.

General George S. Patton famously said, "Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so!" Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable.

Thomas Merton: God's Messenger on the Road towards a New World highlights the contribution of the best-selling North American writer between the Second World War and 1968. The Cistercian monk called people to act justly, love kindness, and walk humbly. By his critique of technology, a major impediment for people to follow Jesus; by his writing on contemplative prayer; by his interfaith outreach; and through his witness against racism, war, and degradation of nature, Merton still matters. This book uses Micah 6:8 to organize Merton's focus on justice, lovingkindness, and humility, as well as his dialogue with Rachel Carson, Ernesto Cardinal, Gandhi, Martin Luther King, Jr., Thich Nhat Hahn, and others.

After a tsunami destroyed the cooling system at Japan's Fukushima Nuclear Power Plant, triggering a meltdown, protesters around the world challenged the use of nuclear power. Germany announced it would close its plants by 2022. Although the ills of fossil fuels are better understood than ever, the threat of climate change has never aroused the same visceral dread or swift action. Spencer Weart dissects this paradox, demonstrating that a powerful web of images surrounding nuclear energy holds us captive, allowing fear, rather than facts, to drive our thinking and public policy. Building on his classic, Nuclear Fear, Weart follows nuclear imagery from its origins in the symbolism of medieval alchemy to its appearance in film and fiction. Long before nuclear fission was discovered, fantasies of the destroyed planet, the transforming ray, and the white city of the future took root in the popular imagination. At the turn of the twentieth century when limited facts about radioactivity became known, they produced a blurred picture upon which scientists and the public projected their hopes and fears. These fears were magnified during the Cold War, when mushroom clouds no longer needed to be imagined; they appeared on the evening news. Weart examines nuclear anxiety in sources as diverse as Alain Resnais's film Hiroshima Mon Amour, Cormac McCarthy's novel The Road, and the television show The Simpsons. Recognizing how much we remain in thrall to these setpieces of the imagination, Weart hopes, will help us resist manipulation from both sides of the nuclear debate.