"Originally released in 1977, this new edition by the world's foremost authority on UFOs distills 12,000 'sightings' and 140,000 pages of Project Blue Book 'evidence' into a coherent explanation"--Back cover.

Governments around the world have had to deal with the UFO phenomenon for a good part of a century. How and why they did so is the subject of UFOs and Government, a history that for the first time tells the story from the perspective of the governments themselves. It's a perspective that reveals a great deal about what we citizens have seen, and puzzled over, from the "outside" for so many years. The story, which is unmasked by the governments' own documents, explains much that is new, or at least not commonly known, about the seriousness with which the military and intelligence communities approached the UFO problem internally. Those approaches were not taken lightly. In fact, they were considered matters of national security. At the same time, the story reveals how a subject with such apparent depth of experience and interest became treated as if it were a triviality. And it explains why one government, the United States government, deemed it wise, and perhaps even necessary, to treat it so. Though the book focuses primarily on the U. S. government's response to the UFO phenomenon, also included is the treatment of the subject by the governments of Sweden, Australia, France, Spain, and other countries. This large-format, fully illustrated book is the result of a team effort that called itself "The UFO History Group," a collection of veteran UFO historians and researchers who spent more than four years researching, consulting, writing, and editing to present a work of historical scholarship on government response to the UFO phenomenon. Michael Swords was the primary author of the United States chapters. The work was coordinated and edited by Robert Powell. Clas Svahn, Vicente-Juan Ballester Olmos, Bill Chalker, and Robert Powell contributed country chapters. Jan Aldrich was the primary content consultant, with additional content consultation and writing coming from Barry Greenwood and Richard Thieme. Steve Purcell was the primary photo illustration editor. From the foreword by Jerome Clark: "While UFOs and Government revisits an often unhappy history, the reading of it is far from an unhappy experience. The authors, eloquent, intelligent, sophisticated, and conscientious, provide us with the first credible, comprehensive overview of official UFO history in many years... Most of the current volume deals with U.S. military and intelligence responses to the UFO phenomenon, but it also features richly informative chapters that expand the story across the international arena. If you're looking for an example of a nation that dealt productively with the UFO reports that came its official way, you will take heart in the chapter on the French projects... From here on, every responsible treatment of UFOs and government will have to cite UFOs and Government prominently among its sources... this is the real story as accurately as it can be reconstructed in the second decade of the new century. I expect to keep my copy close at hand and to return to it often. While it cannot be said of many books, UFO-themed or otherwise, this is among the essential ones. Stray from it at your peril."

Film historian Bruce Rux posits that the film industry has long collaborated with a government disinformation campaign about UFOs, shaping and controlling knowledge about documented UFO activity. The book uncovers the conspiracy roots of government involvement in science-fiction/horror movies, from pulp-fiction and Lost World romances to films dealing with flying saucers, the planet Mars, mind control, abductions, transdimensional journeys, and extraterrestrials. Written in a mock-serious tone reminiscent of Rod Sterling's Twilight Zone TV Series, and illustrated with old movie stills and posters, Hollywood Vs. the Aliens is a fascinating, fun read, yet delivers some startling findings. Rux reviews the facts known about UFOs and ancient technologies, and how they came to be discovered. Then he investigates the period between the 1930s and 1950s, focusing on CIA Robertson Panel's recomendation that Hollywood be used as a deflectionary tool against popular interest in UFOs. Government involvement in Orson Welles' 1938 War of the Worlds broadcast is discussed, as are the Disney and United Artists studios' early connections to patriotic propaganda. Early '50s movies like The Thing from Another World and The Day the Earth Stood Still show UFOlogical facts that only government sources could have known at the time. From there the book goes on to discuss recent releases and the ongoing depictions of aliens and UFOs, right up to Independence Day, Men in Black, and Mars Attacks!

The Report on Unidentified Flying Objects is a book by Edward J. Ruppelt which described the study of UFOs by United States Air Force from 1947 to 1955. Ruppelt was a United States Air Force officer best known for his involvement in Project Blue Book, a formal governmental study of unidentified flying objects. He is generally credited with coining the term "unidentified flying object." Because Ruppelt was the central axis of the government's investigation the book provides a unique insider look at how the government's efforts functioned.

An extraordinary 95 percent of all Americans have at least heard or read something about UFOs, and 57 percent believe they are real. In late 1993, after being pressured by UFOlogists for the release of information on UFOs, the CIA ordered a review of all Agency files. Using CIA records compiled from that review in 1994, this study traces CIA interest and involvement in the UFO controversy from the late 1940s to 1990. It chronologically examines the Agency's efforts to solve the mystery of UFOs, its programs that had an impact on UFO sightings, and its attempts to conceal CIA involvement in the entire UFO issue. What emerges from this examination is that, while Agency concern over UFOs was substantial until the early 1950s, CIA has since paid only limited and peripheral attention to the phenomena. (Illustrated)

An account of the US government's decision to summon 17 of the nations intelligence specialists to a top secret meeting in the Pentagon in an attempt to solve the mystery of whether the human race is alone in the universe. Blum also wrote Wanted! The Search for Nazis in America.