Intro -- Contents -- List of Figures -- Acknowledgments -- Author's Note -- Prologue: All Aboard -- Part I. The Road Behind -- 1. James Zwerg: Appleton, Wisconsin -- 2. Susan Wilbur: Nashville, Tennessee -- 3. Miriam Feingold: Brooklyn, New York -- 4. Charles Person: Atlanta, Georgia -- Part II. The Road Ahead -- 5. Bernard LaFayette Jr.: Tampa, Florida -- 6. Bill Harbour: Piedmont, Alabama -- 7. Catherine Burks: Birmingham, Alabama -- 8. Hezekiah Watkins: Jackson, Mississippi -- 9. Arione Irby: Gee's Bend, Alabama -- Epilogue: The Last Stop -- Sources -- Bibliography -- Index

As a five-year-old in Home-wood, Alabama, Shelley Stewart watched his father kill his mother with an axe. Two years later, Stewart escaped the care of abusive relatives, making a living as a stable hand. A stint in the army led to electroshock treatments for trying to integrate whites-only dances. But despite numerous setbacks, he never gave up his will to succeed. Eventually, odd jobs at radio stations laid the foundation for a 50-year career in broadcasting. As an African-American radio personality, Stewart reached out to Jim Crow Alabama, using music to integrate his audience. Along the way, he helped launch the careers of such legends as Otis Redding, Isaac Hayes, and Gladys Knight. Instrumental in the Civil Rights Movement, he publicized the words of Dr. Martin Luther King, Jr. A remarkable witness to and participant in the momentous social changes of the last three decades, Stewart, now a successful businessman and community leader, shares his courageous personal story that shows the indomitable strength of the human spirit.

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

A brilliant and surprising account of the coming of the American Civil War, showing the crucial role of slaves who escaped to Mexico. The Underground Railroad to the North promised salvation to many American slaves before the Civil War. But thousands of people in the south-central United States escaped slavery not by heading north but by crossing the southern border into Mexico, where slavery was abolished in 1837. In South to Freedom, historianAlice L. Baumgartner tells the story of why Mexico abolished slavery and how its increasingly radical antislavery policies fueled the sectional crisis in the United States. Southerners hoped that annexing Texas and invading Mexico in the 1840s would stop runaways and secure slavery's future. Instead, the seizure of Alta California and Nuevo México upset the delicate political balance between free and slave states. This is a revelatory and essential new perspective on antebellum America and the causes of the Civil War.

The Civil War is over. Soldiers have returned home, and families have begun to piece their lives back together. But for Union Army veteran Solomon Dykes, there is no kin waiting; his Connecticut home holds no promise. He hopes to make a fresh start in Virginia, where he can farm a piece of land and start a family.But the contentious times don't favor such ambition.Dykes settles near Jeb Mosby, a Virginia native farming his family's land near the town of Middleburg. Under different circumstances, the pair might have been fast friends.But the community is still reeling from the stinging defeat of the war and view all Northerners with suspicion--Dykes is no exception.Mosby finds himself torn between his faith in humanity and an allegiance to his small town, while Dykes begins to doubt his future as a farmer and finds himself drawn to the cause of the newly freed slaves.The battlefields may have cooled, but passions still run hot in this turbulent era of societal change. Both Dykes and Mosby learn even the smallest actions can carry far-reaching consequences, sending each on a collision course with tragedy.

"Paul Theroux has spent fifty years crossing the globe, adventuring in the exotic, seeking the rich history and folklore of the far away. Now, for the first time, in his tenth travel book, Theroux explores a piece of America--the Deep South. He finds there a paradoxical place, full of incomparable music, unparalleled cuisine, and yet also some of the nation's worst schools, housing, and unemployment rates. It's these parts of the South, so often ignored, that have caught Theroux's keen traveler's eye."--

This startlingly personal memoir from the award-winning screenwriter of "Children of a Lesser God" weaves a tale of stark beauty and devastating truth about a shy girl's struggle to process the troubling legacy of her famous parents. 8 pages of photos.