Most Americans imagine the Civil War in terms of clear and defined boundaries of freedom and slavery: a straightforward division between the slave states of Kentucky and Missouri and the free states of Illinois, Indiana, Ohio, and Kansas. However, residents of these western border states, Abraham Lincoln's home region, had far more ambiguous identities-and contested political loyalties-than we commonly assume. In The Rivers Ran Backward, Christopher Phillips sheds light on the fluid political cultures of the "Middle Border" states during the Civil War era. Far from forming a fixed and static boundary between the North and South, the border states experienced fierce internal conflicts over their political and social loyalties. White supremacy and widespread support for the existence of slavery pervaded the "free" states of Ohio, Indiana, and Illinois, which had much closer economic and cultural ties to the South, while those in Kentucky and Missouri held little identification with the South except over slavery. Debates raged at every level, from the individual to the state, in parlors, churches, schools, and public meeting places, among families, neighbors, and friends. Ultimately, the pervasive violence of the Civil War and the cultural politics that raged in its aftermath proved to be the strongest determining factor in shaping these states' regional identities, leaving an indelible imprint on the way in which Americans think of themselves and others in the nation. The Rivers Ran Backward reveals the complex history of the western border states as they struggled with questions of nationalism, racial politics, secession, neutrality, loyalty, and even place-as the Civil War tore the nation, and themselves, apart. In this major work, Phillips shows that the Civil War was more than a conflict pitting the North against the South, but one within the West that permanently reshaped American regions.

Most Americans imagine the Civil War in terms of clear and defined boundaries of freedom and slavery: a straightforward division between the slave states of Kentucky and Missouri and the free states of Illinois, Indiana, Ohio, and Kansas. However, residents of these western border states, Abraham Lincoln's home region, had far more ambiguous identities-and contested political loyalties-than we commonly assume. In The Rivers Ran Backward, Christopher Phillips sheds light on the fluid political cultures of the "Middle Border" states during the Civil War era. Far from forming a fixed and static boundary between the North and South, the border states experienced fierce internal conflicts over their political and social loyalties. White supremacy and widespread support for the existence of slavery pervaded the "free" states of Ohio, Indiana, and Illinois, which had much closer economic and cultural ties to the South, while those in Kentucky and Missouri held little identification with the South except over slavery. Debates raged at every level, from the individual to the state, in parlors, churches, schools, and public meeting places, among families, neighbors, and friends. Ultimately, the pervasive violence of the Civil War and the cultural politics that raged in its aftermath proved to be the strongest determining factor in shaping these states' regional identities, leaving an indelible imprint on the way in which Americans think of themselves and others in the nation. The Rivers Ran Backward reveals the complex history of the western border states as they struggled with questions of nationalism, racial politics, secession, neutrality, loyalty, and even place-as the Civil War tore the nation, and themselves, apart. In this major work, Phillips shows that the Civil War was more than a conflict pitting the North against the South, but one within the West that permanently reshaped American regions.

From out of memory and set against a background of rock-and-roll music, Where the Rivers Ran Backward captures and transcribes the moments of the Vietnam War from the red line that leads through the induction center to the slow days and night watches to the black wall that records the names of the missing and the dead.

From Jay Feldmen comes an enlightening work about how the most powerful earthquakes in the history of America united the Indians in one last desperate rebellion, reversed the Mississippi River, revealed a seamy murder in the Jefferson family, and altered the course of the War of 1812. On December 15, 1811, two of Thomas Jefferson's nephews murdered a slave in cold blood and put his body parts into a roaring fire. The evidence would have been destroyed but for a rare act of God—or, as some believed, of the Indian chief Tecumseh. That same day, the Mississippi River's first steamboat, piloted by Nicholas Roosevelt, powered itself toward New Orleans on its maiden voyage. The sky grew hazy and red, and jolts of electricity flashed in the air. A prophecy by Tecumseh was about to be fulfilled. He had warned reluctant warrior-tribes that he would stamp his feet and bring down their houses. Sure enough, between December 16, 1811, and late April 1812, a catastrophic series of earthquakes shook the Mississippi River Valley. Of the more than 2,000 tremors that rumbled across the land during this time, three would have measured nearly or greater than 8.0 on the not-yet-devised Richter Scale. Centered in what is now the bootheel region of Missouri, the New Madrid earthquakes were felt as far away as Canada; New York; New Orleans; Washington, DC; and the western part of the Missouri River. A million and a half square miles were affected as the earth's surface remained in a state of constant motion for nearly four months. Towns were destroyed, an eighteen-mile-long by five-mile-wide lake was created, and even the Mississippi River temporarily ran backwards. The quakes uncovered Jefferson's nephews' cruelty and changed the course of the War of 1812 as well as the future of the new republic. In When the Mississippi Ran Backwards, Jay Feldman expertly weaves together the story of the slave murder, the steamboat, Tecumseh, and the war, and brings a forgotten period back to vivid life. Tecumseh's widely believed prophecy, seemingly fulfilled, hastened an unprecedented alliance among southern and northern tribes, who joined the British in a disastrous fight against the U.S. government. By the end of the war, the continental United States was secure against Britain, France, and Spain; the Indians had lost many lives and much land; and Jefferson's nephews were exposed as murderers. The steamboat, which survived the earthquake, was sunk. When the Mississippi Ran Backwards sheds light on this now-obscure yet pivotal period between the Revolutionary and Civil wars, uncovering the era's dramatic geophysical, political, and military upheavals. Feldman paints a vivid picture of how these powerful earthquakes made an impact on every aspect of frontier life—and why similar catastrophic quakes are guaranteed to recur. When the Mississippi Ran Backwards is popular history at its best.

The border states during the Civil War have long been ignored or misunderstood in general histories. This book corrects that oversight, explaining how many border state residents used wartime realities to redefine their politics and culture as "Southern." By studying the characteristics of those positioned along this fault line during the Civil War, the centrality of the war issue of slavery, which border residents long eschewed as being divisive, became apparent. This book explains how the process of Southernization occurred during and after the Civil War—a phenomenon largely unexplained by historians. Beyond the broader, more traditional narrative of the clash of arms, within these border slave states raged an inner civil war that shaped the military and political outcomes of the war as well as these states' cultural landscapes. Author Christopher Phillips describes how the Civil War experience in the border states served to form new loyalties and communities of identity that both deeply divided these states and distorted the meaning of the war for postwar generations.

‘Moon Over Soho cements [the Rivers of London] series as my favorite urban fantasy series. The humor, the world-building, the action, the magic, the mystery, the procedural—all are top-notch.’ — Ranting Dragon My name is Peter Grant, and I’m a Police Constable in that mighty army for justice known as the Metropolitan Police (a.k.a. the Filth). I’m also an apprentice wizard, the first in fifty years. When your dad is an almost famous jazz trumpeter, you know the classics. And that’s why, when Dr Walid called me down to the morgue to listen to a corpse, I recognized the tune it was playing as the jazz classic ‘Body and Soul.’ Something violently supernatural had happened to the victim, strong enough to leave its imprint on his corpse as if it were a wax cylinder recording. The former owner of the body, Cyrus Wilkinson, was a part-time jazz saxophonist and full-time accountant who had dropped dead of a heart attack just after finishing a gig. He wasn’t the first, but no one was going to let me exhume corpses just to see if they were playing my tune. So it was back to old-fashioned police legwork, starting in Soho, the heart of the scene, with the lovely Simone – Cyrus’s ex-lover, professional jazz kitten and as inviting as a Rubens portrait – as my guide. And it didn’t take me long to realise there were monsters stalking Soho, creatures feeding off that special gift that separates the great musician from someone who can raise a decent tune. What they take is beauty. What they leave behind is sickness, failure and broken lives. Reviews for Moon Over Soho Mr. Aaronovitch is, in short, writing the best contemporary occult detective series on the shelf today, and that’s by a substantial margin.’ — Pornokitsch ‘Moon Over Soho is a gripping continuation of River of London’s well executed blend of police-procedural and fantasy with a good splash of horror thrown in. This is urban fantasy done with a loving attention to detail and enlivened by an ever present wit making this series a must-read for anyone who likes their fantasy with a strong edge of realism.’ — SF Book Reviews

New York Times bestselling author Patti Callahan Henry delivers an engaging novel about a South Carolina woman who goes back home to face the past—and discovers herself. Meridy Dresden was once a free-spirited, fun-loving girl. All that changed when the boy she loved was killed in a tragic fire. Since then, she alone has carried the burden of a terrible secret. Now, years later, married to a wonderful man and mother of a teenage son, she is shocked to learn that a childhood friend is being blamed for that long-ago fire. Fearful but determined, Meridy returns to the South Carolina Lowcountry and summons the courage to make a decision that may destroy her well-ordered life, her family’s reputation, her contented marriage, and everything she’s worked so hard to protect…including her heart. “Brilliant. Powerful. Magical. Do not miss this book.”—New York Times bestselling author Haywood Smith