Contemporary research in periodical literature has demonstrated conclusively that the nineteenth century in Britain was the age of the periodical. It also has shown that, in Victorian society, the circulation of periodicals and newspapers was both larger and more influential than that of books. The six essays in this volume investigate the extent to which this was equally true of Britain's colonies during the period up to 1900. In chapters devoted to periodical publishing in Australia, Canada, India, New Zealand, Southern Africa, and the 'outposts' of the Empire (Ceylon, Cyprus, Hong Kong, Malaya and Singapore, Malta, and the West Indies), the contributors also consider the function and importance of periodicals in colonial life. They identify and describe all locally produced publications that appeared at weekly or longer intervals and that contained, for example, local news, poetry, fiction, criticism, commentary on the arts, news from home, shipping information and commodities reports. Each chapter presents an evaluation of the quantity and quality of guides available to periodical literature in each region, from basic bibliographies of periodicals, directories, and finding aids, to microfilm records and databases on the Internet. Periodicals of Queen Victoria's Empire is an initial step towards understanding and analyzing what its editors regard as the 'unseen power' of the periodical press in the British Empire of the nineteenth century.

Alternative media hold the promise of building public awareness and action against the constraints and limitations of media conglomeration and cutbacks to public broadcasting. These media are becoming key venues for community expression and political debate, but what is it that makes them alternative? The contributors to this path-breaking volume answer this question by examining the evolution of various kinds of alternative media – including indigenous, anarchist, ethnic, and feminist media – against the backdrop of political, economic, and cultural developments in Canada. They get at the heart of alternative media by focusing on the three interconnected dimensions that define them: structure, participation, and activism. Alternative Media in Canada not only reveals how alternative media are enabled and constrained within Canada’s complex media and policy environment; it also shows that, in the context of globalization, the Canadian experience parallels media and policy challenges in other nations.

In wartime, capturing the hearts and minds of the citizenry is arguably as important as victory on the battlefield. The Information Front explores the Canadian military’s use of public relations units to manage news during the Second World War. These specialized units were responsible for providing sufficient and positive news coverage to Canadians at home. This fascinating study traces the transformation of an emergent PR organization into an efficient publicity machine. It also scrutinizes news coverage and PR activities during major Canadian operations at Dieppe, Sicily, and Normandy to reveal how the military used censorship and propaganda to rally support for the war effort.

A deep and timely account of how American newspapers were produced and distributed on paper. Winner of the Best Book in Canadian Business History by the Canadian Business History Association Popular assessments of printed newspapers have become so grim that some have taken to calling them “dead tree media” as a way of invoking the medium’s imminent demise. There is a literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, throughout the twentieth century, the overwhelming majority of trees cut down in the service of printing newspapers in the United States came from Canada. In Dead Tree Media, Michael Stamm reveals the international history of the commodity chains connecting Canadian trees and US readers. Drawing on newly available corporate documents and research in archives across North America, Stamm offers a sophisticated rethinking of the material history of the printed newspaper. Tracing its industrial production from the forest to the newsstand, he provides an account of the obscure and often hidden labor involved in this manufacturing process by showing how it was driven by not only publishers and journalists but also lumberjacks, paper mill workers, policymakers, chemists, and urban and regional planners. Stamm describes the 1911 shift in tariff policy that gave US publishers duty-free access to Canadian newsprint, providing a tremendous boost to Canadian paper manufacturers and a significant subsidy to American newspaper publishers. He also explains how Canada attracted massive American foreign investment in paper mills around the same time that US publishers were able to gain greater access to Canada’s vast spruce forests. Focusing particularly on the Chicago Tribune, Stamm provides a new history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that had shaped many aspects of the cultural, political, and even physical landscape of North America. For those seeking to understand the travails of the contemporary newspaper business, Dead Tree Media is essential reading.

Clearly written and persuasively argued, "The Mass Media in Canada" considers the troubling questions of who decides what we read, watch, and hear.

Canadian Newspaper Ownership in the Era of Convergence investigates the current state of Canada's newspaper industry in light of recent developments-increasing concentration of ownership, multi-media convergence, and controversy over the actions of proprietors. Case studies examine how Conrad Black's acquisition of newspapers in the mid-1990s, bringing his total ownership to over half of the country's dailies, followed by the subsequent purchase of the most important of these by CanWest Global, has actually influenced the content of newspapers. Canadian Newspaper Ownership revisits "social responsibility" in the context of the changed media landscape as a means of prescribing how newspaper owners and employees might conduct themselves in the public interest.