Whether you want to dash off a limerick, ponder a sonnet or plot an epic poem, this write-in activity book is here to help. Each page is bursting with tips and inspiration for writing all kinds of poems - and inventing brand new styles too. With links to websites where you can listen to many of the poems in this book, and find more helpful writing tips.

A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.

Thirteen poems pose riddles that challenge readers to "Name That Book." With a glass slipper here and a spiderweb there, Lynn Munsinger's illustrations lead young readers to the solutions.

Poetry. In his debut collection, RIDDLES, ETC., Geoffrey Hilsabeck proves himself adept at paradox, a poet who reaches toward the largeness of the cosmos in order to bring its essence closer to us. Approaching his subjects with the difficult task of describing their spirit without naming it directly, this collection is also a love letter—"Dear citizen stargazer"—to the known and unknown. A singular imagination is at work here, writing toward the unique and peculiar qualities of things and beings, displaying the relative similarities of all phenomena. "Reader, let me ask you a riddle: What holds its breath in another's mouth? What hides wind in leaves? What takes apart the Delphic know yourself and admits I don't know? I don't know. His riddles, etc., recognize that basic bewilderment which knowledge cannot rescue us from, and then he makes for us the world again, not by defining it, but by singing the wild, innocent song."—Dan Beachy-Quick "These riddles are poems 'fearfully, and wonderfully made,' unabashedly lyrical—they've been hanging on, like psalms and rivers, 'strange and unnecessary' as the poet's life. They ask the comfortably urgent questions that, back in the day, John Ashbery asked (with echoes of David Schubert): the kind that need no answer but are open to any. When you get past the making, perhaps all poems worth the name are really riddles, as only the tongue may turn back the clock so we may reconsider of what it is made."—Matvei Yankelevich