In Made in NuYoRico, Marisol Negrón tells the cultural history of salsa, tracing the music’s Nuyorican meanings over a fifty-year period that begins with the establishment of Fania Records in 1964 and how it capitalized on salsa’s Nuyorican imaginary to cultivate a global audience. Drawing on interviews with fans, legendary musicians, and music industry figures as well as analyses of songs, albums, films, and archival documents, Negrón shows how Nuyorican cultural and social histories became embedded in and impacted salsa music's flows during its foundational period in the mid-1960s and its boom in the 1970s. Salsa’s Nuyorican aesthetics challenged mainstream notions of Americanness and Puerto Ricanness and produced an alternative public sphere through which New York’s poor and working-class Puerto Ricans could contest racialization and colonial power. By outlining salsa’s complicated musical, cultural, commercial, racial, gendered, legal, and political entanglements, Negrón demonstrates its centrality to Nuyorican identity and subjectivity.

In ancient days, the mightiest of dragons were fearless in battle against the foes of Kaltara. Those special dragons were called Winged Warriors, and they were revered by the elves. In Winged Warrior, the Torak meets a Winged Warrior and learns that she is to become his battlesteed. The Time of Cleansing fast approaches as the Motangans plant a spy deep within the ruling circle of the Sakovans. The mage-spy Aakuta is discovered on the Island of Darkness and condemned to death, while rebellious Khadoran lords conspire to overthrow Emperor Marak. The elven nation is beset by plotting from antiwar factions, while the Jiadin of Fakara threaten to abandon their defensive positions. With the whole world on the brink of a war where there will be no surrenders, no prisoners, and no negotiations, Vand's minions sow the seeds of destruction as they prepare to launch the invasion that will destroy all life.

My Friend You is a true story chronicling a young Afro-American man's four-year tour of duty in the marine corps during the Vietnam War era. The book contains its share of wartime drama, but upon reading further, it doesn't take you long to realize this book is not a typical Vietnam War story, but, instead, it tells about the love and devotion the young marine has for two orphaned children he met in mid-July of 1965""when he was flying as a volunteer crewman aboard a marine medevac helicopter and was dispatched to rescue a party of seventeen children. During the rescue, the young marine was awkwardly introduced to a pretty orphaned ten-year-old girl Kim and her protective teenage brother, Lanh. The three quickly bonded, and their interactions inexplicably triggered the marine's paternal senses to befriend them both, thus, changing his life forever. Some fifty-two years have passed since I promised those kids I would tell the world about their story, and I plan to do just that, God willing.

Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans explores U.S. Puerto Rican culture in past and recent contexts. The book presents East Coast, Midwest, and Chicago cultural production while exploring Puerto Rican musical, film, artistic, and literary performance. Working within the theoretical frame of cultural, postcolonial, and diasporic studies, Marc Zimmerman relates the experience of Puerto Ricans to that of Chicanos and Cuban Americans, showing how even supposedly mainstream U.S. Puerto Ricans participate in a performative culture that embodies elements of possible cultural "Ricanstruction." Defending Their Own in the Cold examines various dimensions of U.S. Puerto Rican artistic life, including relations with other ethnic groups and resistance to colonialism and cultural assimilation. To illustrate how Puerto Ricans have survived and created new identities and relations out of their colonized and diasporic circumstances, Zimmerman looks at the cultural examples of Latino entertainment stars such as Jennifer Lopez and Benicio del Toro, visual artists Juan Sánchez, Ramón Flores, and Elizam Escobar, as well as Nuyorican dancer turned Midwest poet Carmen Pursifull. The book includes a comprehensive chapter on the development of U.S. Puerto Rican literature and a pioneering essay on Chicago Puerto Rican writing. A final essay considers Cuban cultural attitudes towards Puerto Ricans in a testimonial narrative by Miguel Barnet and reaches conclusions about the past and future of U.S. Puerto Rican culture. Zimmerman offers his own "semi-outsider" point of reference as a Jewish American Latin Americanist who grew up near New York City, matured in California, went on to work with and teach Latinos in the Midwest, and eventually married a woman from a Puerto Rican family with island and U.S. roots.

Honorable Mention, 2020 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research Argues that Ricanness operates as a continual performance of bodily endurance against US colonialism In 1954, Dolores “Lolita” Lebrón and other members of the Puerto Rican Nationalist Party led a revolutionary action on the chambers of Congress, firing several shots at the ceiling and calling for the independence of the island. Ricanness: Enduring Time in Anticolonial Performance begins with Lebrón’s vanguard act, distilling the relationship between Puerto Rican subjectivity, gender, sexuality, and revolutionary performance under colonial time. Ruiz argues that Ricanness—a continual performance of bodily endurance against US colonialism through different measures of time—uncovers what’s at stake politically for the often unwanted, anticolonial, racialized and sexualized enduring body. Moving among theatre, experimental video, revolutionary protest, photography, poetry, and durational performance art, Ricanness stages scenes in which the philosophical, social, and psychic come together at the site of aesthetics, against the colonization of time. Analyzing the work of artists and revolutionaries like ADÁL, Lebrón, Papo Colo, Pedro Pietri, and Ryan Rivera, Ricanness imagines a Rican future through the time travel extended in their aesthetic interventions, illustrating how they have reformulated time itself through nonlinear aesthetic practices.

As schools grow more and more vulnerable to the whims of profiteers and, as a result, become less and less a sacred public space of learning and justice, the voices of everyday educators and students are increasingly marginalized. This is the tyranny of neoliberal school reform: silence the people who know education, the people committed to equity and justice, and elevate the voices and desires of the privileged few whose knowledge of education is peripheral and profit-driven. Talking Back and Moving Forward: An Education Revolution in Poetry and Prose is a collective response to this tyranny, a collecting rallying cry for reclaiming our schools. It is a chorus of voices from teachers, educators, and educational justice advocates who refuse to be silenced—who are standing up and responding to the imposition of damaging school reform initiatives. Unconfined by the conventions of the traditional scholarly voice, the contributors use poetry, memoir, short stories, and photography, choosing the expressions that most effectively capture their experiences and their demands for educational and social justice.

Tabitha escapes a verbal abusive relationship with Clifford and relocates back home with her family. After ten months living the lonely single life Tabitha gets back into the dating scene. Tabitha is convinced that she has met the man of her dreams name Lance through a telecommunication chat line. Tabitha has to learn the hard way. Her lover has a dark secret that turns into a revolving disaster. Too late, feelings have already been established. Tabitha is not intimidated, but is torn between her own instincts and her lovers manipulative, misleadful, smooth talking, pleasure seeking, and sneaky habits which mentally make it difficult for her to leave him. This lustful triangle ends with a broken heart, betrayal, and denial. How many times will Tabitha roll the dice in this discreet relationship? When Enough Is Enough is a scandalous, shock revealing thriller that will keep you on the edge of your seat expecting the unexpected.