Pope John Paul II was clearly one of the most influential persons of the 20th Century. He affected the world of politics, religion, and culture with a rhetorical zeal unmatched by few actors on the international stage. From the downfall of communism in Eastern Europe to his devotion to Mary to his championing of social justice and orthodox theology, this book examines his several moments of persuasive finesse as well as instances when his message could have been crafted more effectively. The essays in this collection examine his persuasive skills from several scholarly points of view. The book also offers analyses of media portrayals of this often-controversial figure. With contributions from some of the world's leading communication scholars, clergy, and social activists, this book is must reading for anyone interested in a deeper understanding of religious communication in general and John Paul II's rhetorical papacy in particular. Written by Catholics, Protestants, Mormons, agnostics, and atheists, the chapters approach the Pope with varying degrees of admiration, but always with intellectual respect.

Contends that John Paul II's overseas pastoral visits are a rhetorical response to a church and society deeply affected by secularization and pluralism, and constitutes a new way of speaking about the sacred.

Mixing religion and public diplomacy can produce volatile results, but in a world in which the dissemination and influence of religious beliefs are enhanced by new communications technologies, religion is a factor in many foreign policy issues and must be addressed. Faith is such a powerful part of so many people's lives that it should be incorporated in public diplomacy efforts if they are to have meaningful resonance among the publics they are trying to reach. This book addresses key issues of faith in an increasingly connected and religious world and provides a better understanding of the role religion plays in public diplomacy.

Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland is a music history of Solidarity, the social movement opposing state socialism in 1980s Poland. The story unfolds along crucial sites of political action under state socialism: underground radio networks, the sanctuaries of the Polish Roman Catholic Church, labor strikes and student demonstrations, and commemorative performances. Through innovative close listenings of archival recordings, author Andrea F. Bohlman uncovers creative sonic practices in bootleg cassettes, televised state propaganda, and the unofficial, uncensored print culture of the opposition. She argues that sound both unified and splintered the Polish opposition, keeping the contingent formations of political dissent in dynamic tension. By revealing the diverse repertories-singer-songwriter verses, religious hymns, large-scale symphonies, experimental music, and popular song-that played a role across the decade, she challenges paradigmatic visions of a late twentieth-century global protest culture that place song and communitas at the helm of social and political change. Musical Solidarities brings together perspectives from historical musicology, ethnomusicology, and sound studies to demonstrate the value of sound for thinking politics. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.