Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It's a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.

A Choice Magazine Outstanding Academic Title Widely remembered as a time of heated debate over the westward expansion of slavery, the 1850s in the United States was also a period of mass immigration. As the sectional conflict escalated, discontented Europeans came in record numbers, further dividing the young republic over issues of race, nationality, and citizenship. The arrival of German-speaking “Forty-Eighters,” refugees of the failed European revolutions of 1848–49, fueled apprehensions about the nation’s future. Reaching America did not end the foreign revolutionaries’ pursuit of freedom; it merely transplanted it. In We Are the Revolutionists, Mischa Honeck offers a fresh appraisal of these exiled democrats by probing their relationship to another group of beleaguered agitators: America’s abolitionists. Honeck details how individuals from both camps joined forces in the long, dangerous battle to overthrow slavery. In Texas and in cities like Milwaukee, Cincinnati, and Boston this cooperation helped them find new sources of belonging in an Atlantic world unsettled by massive migration and revolutionary unrest. Employing previously untapped sources to write the experience of radical German émigrés into the abolitionist struggle, Honeck elucidates how these interethnic encounters affected conversations over slavery and emancipation in the United States and abroad. Forty-Eighters and abolitionists, Honeck argues, made creative use not only of their partnerships but also of their disagreements to redefine notions of freedom, equality, and humanity in a transatlantic age of racial construction and nation making.

A Choice Magazine Outstanding Academic Title Widely remembered as a time of heated debate over the westward expansion of slavery, the 1850s in the United States was also a period of mass immigration. As the sectional conflict escalated, discontented Europeans came in record numbers, further dividing the young republic over issues of race, nationality, and citizenship. The arrival of German-speaking “Forty-Eighters,” refugees of the failed European revolutions of 1848–49, fueled apprehensions about the nation's future. Reaching America did not end the foreign revolutionaries' pursuit of freedom; it merely transplanted it. In We Are the Revolutionists, Mischa Honeck offers a fresh appraisal of these exiled democrats by probing their relationship to another group of beleaguered agitators: America's abolitionists. Honeck details how individuals from both camps joined forces in the long, dangerous battle to overthrow slavery. In Texas and in cities like Milwaukee, Cincinnati, and Boston this cooperation helped them find new sources of belonging in an Atlantic world unsettled by massive migration and revolutionary unrest. Employing previously untapped sources to write the experience of radical German émigrés into the abolitionist struggle, Honeck elucidates how these interethnic encounters affected conversations over slavery and emancipation in the United States and abroad. Forty-Eighters and abolitionists, Honeck argues, made creative use not only of their partnerships but also of their disagreements to redefine notions of freedom, equality, and humanity in a transatlantic age of racial construction and nation making.

An epic saga of the Soviet Union's brutal first decades-from The New York Times bestselling master of espionage. Hailed as "the American le Carré," Robert Littell presents an ambitious novel about star-crossed idealist Alexander Til. When Til returns from America to Petrograd on the eve of the October Revolution in 1917, it is to put his life on the line in the hope of transforming Russia. But after witnessing the birth of a new era, he watches the people, and his own ideals, trampled by the rise of Josef Stalin-with whom Til is destined to have a shattering confrontation. Taking readers from the storming of the Winter Palace to the nightmares of the gulag, The Revolutionist is a masterwork of historical fiction.