This book is a collection of essays written by anthropologists who examine the multiple relationships between their fieldwork locations and experiences and their personal lives.

What does a move from a village in the West African rain forest to a West African community in a European city entail? What about a shift from a Greek sheep-herding community to working with evictees and housing activists in Rome and Bangkok? In The Restless Anthropologist, Alma Gottlieb brings together eight eminent scholars to recount the riveting personal and intellectual dynamics of uprooting one’s life—and decades of work—to embrace a new fieldsite. Addressing questions of life-course, research methods, institutional support, professional networks, ethnographic models, and disciplinary paradigm shifts, the contributing writers of The Restless Anthropologist discuss the ways their earlier and later projects compare on both scholarly and personal levels, describing the circumstances of their choices and the motivations that have emboldened them to proceed, to become novices all over again. In doing so, they question some of the central expectations of their discipline, reimagining the space of the anthropological fieldsite at the heart of their scholarly lives.

'Manuals' for new parents illustrating many models of babyhood, shaped by different values and cultures.

Bronislaw Malinowski (1884–1942) was one of the most colorful and charismatic social scientists of the twentieth century. His contributions as a founding father of social anthropology and his complex personality earned him international notoriety and near-mythical status. This landmark book presents a vivid portrait of Malinowski’s early life, from his birth in Cracow to his departure in 1920 from the Trobriand Islands of the South Pacific. At the age of 36, he had already created the innovative fieldwork methods and techniques that would secure his intellectual legacy. Drawing on an exceptionally rich array of primary documents, including Malinowski’s letters and unpublished diaries and manuscripts, Michael Young provides significant new information about the anthropologist’s personality, private life, and career. The author describes Malinowski’s restless life of travel, connections with intellectuals and artists, Nietzschean belief in his own destiny, and legendary fieldwork. The singular man who emerges from these pages fascinates on every level—as a volatile friend and lover, a provocative colleague, a passionate diarist, and a brilliant thinker who pioneered radical change in the field of anthropology.

This suspenseful and moving memoir of Africa recounts the experiences of Alma Gottlieb, an anthropologist, and Philip Graham, a fiction writer, as they lived in two remote villages in the rain forest of Cote d'Ivoire. With an unusual coupling of first-person narratives, their alternate voices tell a story imbued with sweeping narrative power, humility, and gentle humor. Parallel Worlds is a unique look at Africa, anthropological fieldwork, and the artistic process. "A remarkable look at a remote society [and] an engaging memoir that testifies to a loving partnership . . . compelling."—James Idema, Chicago Tribune

In this companion volume to Parallel Worlds, Alma Gottlieb explores ideology and social practices among the Beng people of Côte d'Ivoire. Employing symbolic and postmodern perspectives, she highlights the dynamically paired notions of identity and difference, symbolized by the kapok tree planted at the center of every Beng village. "This book merits a number of readings. . . . An experiment in ethnography that future projects might well emulate." —Clarke K. Speed, American Anthropologist "[An] evocative, rich ethnography. . . . Gottlieb does anthropology a real service." —Misty L. Bastian, American Ethnologist "Richly detailed. . . . This book offers a nuanced descriptive analysis which commands authority." —Elizabeth Tonkin, Man "Exemplary. . . . Gottlieb's observations on identity and difference are not confined to rituals or other special occasions; rather she shows that these principles emerge with equal force during daily social life." —Monni Adams, Journal of African Religion "[An] excellent study." —John McCall, Journal of Folklore Research

Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays in this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as the center of analysis, Cristina Rivera Garza argues for the communality—a term used by anthropologist Floriberto Díaz to describe modes of life of Indigenous peoples of Oaxaca based on notions of collaborative labor—permeating all writing processes. Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities from which it grew. In a world rife with violence, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may well become a life-affirming act of decolonization and resistance.