Jacob de Gheyn's 'Exercise of Armes' was an immense success when first published in 1607. It is a fascinating seventeenth-century military manual, designed to instruct contemporary soldiers how to handle arms effectively, and correctly, and it makes for a unique glimpse into warfare as waged in the Thirty Years War and the English Civil War. The manual uses illustrations to clearly demonstrate drills for soldiers employing calivers and muskets. It shows how to load and fire, or merely carry, a matchlock piece. In addition detailed illustrations show the various movements and postures to be adopted during use of the pike. There are 117 illustrations contained in this book and all are fine examples of seventeenth-century art. Each image is detailed and evocative and students of military history and military costume are sure to find them of immense interest. Jacob de Gheyn's manual is an important insight into how the armies of Europe operated in the field in the seventeenth century, but it is also an attractive book of considerable charm and character.

Military manuals have been used as a source through a range of historical studies, but only recently has their potential to Conflict Archaeology truly been recognized. Military manuals allowed the progression of the Military Revolution from the informed amateur towards the scientific, mathematical choreography for massed troops at the height of the Military Revolution, and their use as a viable historical resource often taken at face value - negating their worth. Using correlated GIS, landscape archaeology, metal detecting, military knowledge and experimental archaeology, we might understand more fully the limitations and strengths drill books provide us. Like a dance, military theory provides a certain number of ways individuals may progress through a landscape. Using examples taken from recent investigations at sites such as Edgehill, Lutzen and Lostwithiel, this paper shall examine to what extent individual drill can be identified in the archaeological record. This publication hopes to prove to what level and extent this can be applied to predictive modeling of artifact collections on battlefields - thus providing depth to the archaeological study of fields of conflict. Like investigations on the Little Bighorn battlefield, through use of wear analysis of the material remains of conflict, we can effectively tell the nuances of individual drill, practice and movement of people across a landscape; their drill actively mirroring subtleties in our understanding of interpretation. Taking the works of such writers and artists as Bariffe, de Gheyn and Ward, the author attempts to actively break down how individual and group drill will leave material remains and the archaeological means these might be taken down, but equally, this work also attempts to investigate and breach the subject of whether such manuals can also be used to dictate the survivability of 17th century fortifications - often within urban landscapes devoid of their civil war origins, as can be seen at Alton and Basing House. Theoretical in its nature and utilizing and combining elements of research not previously collaborated, The Arte Militaire is unique in not merely showing how military manuals were used, but rather how they can still be seen within the historical landscape.

Discusses what a screw is and how it is used.

Could something as simple and seemingly natural as falling into step have marked us for evolutionary success? In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement--and the shared feelings it evokes--has been a powerful force in holding human groups together.As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William H. McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples to the latest findings of the life sciences, he discovers evidence that rhythmic movement has played a profound role in creating and sustaining human communities. The behavior of chimpanzees, festival village dances, the close-order drill of early modern Europe, the ecstatic dance-trances of shamans and dervishes, the goose-stepping Nazi formations, the morning exercises of factory workers in Japan--all these and many more figure in the bold picture McNeill draws. A sense of community is the key, and shared movement, whether dance or military drill, is its mainspring. McNeill focuses on the visceral and emotional sensations such movement arouses, particularly the euphoric fellow-feeling he calls "muscular bonding." These sensations, he suggests, endow groups with a capacity for cooperation, which in turn improves their chance of survival. A tour de force of imagination and scholarship, Keeping Together in Time reveals the muscular, rhythmic dimension of human solidarity. Its lessons will serve us well as we contemplate the future of the human community and of our various local communities.

The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.

Big Nate, who is always notoriously unprepared for class, turns to divine intervention to spare him! Aspiring cartoonist Nate Wright is the star of Big Nate, the daily and Sunday comic strip. As a popular middle-grade book character, Nate is 11 years old, four-and-a-half feet tall, and the all-time record holder for detentions in school history. He's a self-described genius and sixth grade Renaissance Man. Nate, who lives with his dad and older sister, enjoys pestering his family and teachers with his sarcasm.

The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.