The narration delves on the living and values of a large family in New Zealand. With trivial details of characters such as personality, gestures and attitudes, Mansfield has managed to delve into the psychology of characters and produce individuals that instantly capture attention. A must-read....

“Tender and unflinching, a beautifully observed novel about familial love and stoicism in the face of heartbreak.”—Carys Bray, award-winning author of The Museum of You Maeve Maloney is a force to be reckoned with. Despite nearing 80, she keeps Sea View Lodge just as her parents did during Morecambe’s 1950s heyday. But now only her employees and regular guests recognize the tenderness and heartbreak hidden beneath her spikiness. Until, that is, Vincent shows up. Vincent is the last person Maeve wants to see. He is the only man alive to have known her twin sister, Edie. The nightingale to Maeve’s crow, the dawn to Maeve’s dusk, Edie would have set her sights on the stage—all things being equal. But, from birth, things never were. If only Maeve could confront the secret past she shares with Vincent, she might finally see what it means to love and be loved—a lesson that her exuberant yet inexplicable twin may have been trying to teach her all along. Stylist Magazine Top “Books to Read on a Staycation” “Funny, heartbreaking and truly remarkable.”—Susan Barker, New York Times bestselling author “I found the novel most poignant and tender in its depiction of disability, without a whiff of sentimentality . . . it crept under my skill and will stay there for a long time.”—Emma Henderson, Orange Prize-shortlisted author of Grace Williams Says It Loud “Amazing: fierce, intelligent, compassionate and deeply moving . . . an important and very beautiful book.”—Edward Hogan, Desmond Elliot Prize-winning author of Blackmoor “Fresh, poignant and unlike anything else.”—Jill Dawson, Whitbread and Orange Prize-shortlisted author of The Crime Writer

Katherine Mansfield is a literary giant in New Zealand-but she had to leave the country to become one. She wrote, 'Oh to be a writer, a real writer.' And a real writer she was, until she died at age 34 of tuberculosis. The only writer Virginia Woolf was jealous of, Mansfield hung out with the modernists, lost her brother in World War I, dabbled in Alistair Crowley's druggy occult gatherings and spent her last days in a Fontainebleu commune with Olgivanna, Frank Lloyd Wright's future wife. She was as famous for her letters and diaries as for her short stories. Sarah Laing wanted to be a real writer, too. A writer as famous as Katherine Mansfield, but not as tortured. Mansfield and Me charts her journey towards publication and parenthood against Mansfield's dramatic story, set in London, Paris, New York and New Zealand. Part memoir, part biography, part fantasy, it examines how our lives connect to those of our personal heroes. Sarah Laing's gorgeous, playful drawings and self-deprecating humour lightly mask a complex meditation on writing, celebrity and the conscious construction of self. A very New Zealand coming-of-age story: brilliant, funny, thoughtful and smart. - Dylan Horrocks, author of Hicksville and Sam Zabel and the Magic Pen.

From the acclaimed, award-winning author: Why are books so very powerful? What do the books we’ve read over our lives—our own personal libraries—make of us? What does the unraveling of our tradition of public libraries, so hard-won but now in jeopardy, say about us? The stories in Ali Smith’s new collection are about what we do with books and what they do with us: how they travel with us; how they shock us, change us, challenge us, banish time while making us older, wiser and ageless all at once; how they remind us to pay attention to the world we make. Woven between the stories are conversations with writers and readers reflecting on the essential role that libraries have played in their lives. At a time when public libraries around the world face threats of cuts and closures, this collection stands as a work of literary activism—and as a wonderful read from one of our finest authors.

"There was not an inch of room for Lottie and Kezia in the buggy. When Pat swung them on top of the luggage they wobbled; the grandmother’s lap was full and Linda Burnell could not possibly have held a lump of a child on hers for any distance." The seemingly perfect Burnell family is moving from one house to another, and on the surface, everything appears idyllic. But as the story develops, the tension grows, threating to explode and expose their true nature. ‘Prelude’ (1922) is evidence of Katherine Mansfield’s short fiction genius, and it was the first short story that Virginia Wolf commissioned for her publishing house. Katherine Mansfield (1888-1923) was short story writer and poet from New Zealand, who settled in England at the age of 19. Virginia Woolf and D.H. Lawrence were among her literary friends and admirers. She died of tuberculosis at the age of 34.

In opposition to traditional interpretations of the period, Kaplan (English, U. of Washington) asserts that women writers were at the center rather than on the margins of British modernism. She examines Mansfield's contribution to modernist fiction; her struggles as a writer during the era of modernist experimentation; and such issues as the problematics of genre, the encoding of sexuality, and the critical debate over impersonality. Annotation copyrighted by Book News, Inc., Portland, OR