If, advised essayist and critic William Hazlitt, we wish to know the force of human genius we should read Shakespeare. For if anyone profoundly understood the human condition in all its forms, it was he. Lovably drunken rogues, dysfunctional kings, cowardly preening braggarts, to nobly inspiring heroes. The remarkable series of plays engaged in under The Regal Throne moves from high political intrigue to lowlife bar-room badinage. From self-indulgent regal decline to elevated and inspirational kingly valour. From adolescent delinquency and father-son tensions to exaltedly noble redemption. The playwright launches us on our journey with the narcissistic Richard, rapidly sowing seeds of his own decline with his callously imperious behaviour. And the ruthlessly astute Bolingbroke returning from his banishment to take the sovereign's Crown and then his life. But Bolingbroke as Henry IV has little chance to enjoy his prize. For his tyranny breeds rebellion. Meanwhile in Cheapside, (and to his father's chagrin), the future Henry V, as adolescent Prince Hal, disports himself in seedy taverns amongst a gallery of Hogarthian lowlifes (including the comedic heavyweight Falstaff), while quietly planning a shrewdly redemptive personal remake as the exemplary war hero, Henry V. A rich tapestry indeed. But whilst Shakespeare's early modern English is reasonably understandable, many words and references aren't. For slang is constantly shape-shifting. And, particularly with Shakespeare's bar-room banter, it's helpful to know just what the characters are saying to and about each other. The author explains each scene of all four plays in detail with copious quotations from Shakespeare's text throughout and substantial hypertext explanatory notes. The Regal Throne is an invaluable companion for all who set sail on this vibrant Shakespearean voyage into power, politics, and ribaldry.

If, advised essayist and critic William Hazlitt, we wish to know the force of human genius we should read Shakespeare. For if anyone profoundly understood the human condition in all its forms, it was he. Lovably drunken rogues, dysfunctional kings, cowardly preening braggarts, to nobly inspiring heroes. The remarkable series of plays engaged in under The Regal Throne moves from high political intrigue to lowlife bar-room badinage. From self-indulgent regal decline to elevated and inspirational kingly valour. From adolescent delinquency and father-son tensions to exaltedly noble redemption. The playwright launches us on our journey with the narcissistic Richard, rapidly sowing seeds of his own decline with his callously imperious behaviour. And the ruthlessly astute Bolingbroke returning from his banishment to take the sovereigns Crown and then his life. But Bolingbroke as Henry IV has little chance to enjoy his prize. For his tyranny breeds rebellion. Meanwhile in Cheapside, (and to his fathers chagrin), the future Henry V, as adolescent Prince Hal, disports himself in seedy taverns amongst a gallery of Hogarthian lowlifes (including the comedic heavyweight Falstaff), while quietly planning a shrewdly redemptive personal remake as the exemplary war hero, Henry V. A rich tapestry indeed. But whilst Shakespeares early modern English is reasonably understandable, many words and references arent. For slang is constantly shape-shifting. And, particularly with Shakespeares bar-room banter its helpful to know just what the characters are saying to and about each other. The author explains each scene of all four plays in detail with copious quotations from Shakespeares text throughout and substantial hypertext explanatory notes. The Regal Throne is an invaluable companion for all who set sail on this vibrant Shakespearean voyage into power, politics, and ribaldry.

If, advised essayist and critic William Hazlitt, we wish to know the force of human genius we should read Shakespeare. For if anyone profoundly understood the human condition in all its forms, it was he. Lovably drunken rogues, dysfunctional kings, cowardly preening braggarts, to nobly inspiring heroes. The remarkable series of plays engaged in under The Regal Throne moves from high political intrigue to lowlife bar-room badinage. From self-indulgent regal decline to elevated and inspirational kingly valour. From adolescent delinquency and father-son tensions to exaltedly noble redemption. The playwright launches us on our journey with the narcissistic Richard, rapidly sowing seeds of his own decline with his callously imperious behaviour. And the ruthlessly astute Bolingbroke returning from his banishment to take the sovereign's Crown and then his life. But Bolingbroke as Henry IV has little chance to enjoy his prize. For his tyranny breeds rebellion. Meanwhile in Cheapside, (and to his father's chagrin), the future Henry V, as adolescent Prince Hal, disports himself in seedy taverns amongst a gallery of Hogarthian lowlifes (including the comedic heavyweight Falstaff), while quietly planning a shrewdly redemptive personal remake as the exemplary war hero, Henry V. A rich tapestry indeed. But whilst Shakespeare's early modern English is reasonably understandable, many words and references aren't. For slang is constantly shape-shifting. And, particularly with Shakespeare's bar-room banter, it's helpful to know just what the characters are saying to and about each other. The author explains each scene of all four plays in detail with copious quotations from Shakespeare's text throughout and substantial hypertext explanatory notes. The Regal Throne is an invaluable companion for all who set sail on this vibrant Shakespearean voyage into power, politics, and ribaldry.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T107681 A compilation of the leading articles of Marchamont Nedham's Mercurius politicus. Edited by R. Barron. London: printed for A. Millar and T. Cadell, G. Kearsly, and H. Parker, 1767. xxviii,176p.; 8°

The Revolutionary Writings of John Adams presents the principal shorter writings in which Adams addresses the prospect of revolution and the form of government proper to the new United States. Though one of the principal framers of the American republic and the successor to Washington as president, John Adams receives remarkably little attention among many students of the early national period. This is especially true in the case of the periods before and after the Revolution, in which the intellectual rationale for independence and republican government was given the fullest expression. The Revolutionary Writings of John Adams illustrates that it was Adams, for example, who before the Revolution wrote some of the most important documents on the nature of the British Constitution and the meaning of rights, sovereignty, representation, and obligation. And it was Adams who, once the colonies had declared independence, wrote equally important works on possible forms of government in a quest to develop a science of politics for the construction of a constitution for the proposed republic.

The history of Madame Roland embraces the most interesting events of the French Revolution, that most instructive tragedy which time has yet enacted. There is, perhaps, contained in the memoirs of no other woman so much to invigorate the mind with the desire for high intellectual culture, and so much to animate the spirit heroically to meet all the ills of this eventful life. Notwithstanding her experience of the heaviest temporal calamities, she found, in the opulence of her own intellectual treasures, an unfailing resource. These inward joys peopled her solitude with society, and dispelled even from the dungeon its gloom. I know not where to look for a career more full of suggestive thought. - Preface.