The fourth book in Sandra Hill's Cajun series serves up laugh-out-loud humor and sizzling romance in equal portions. The long, hot Louisiana summer just got hotter for Rene LeDeux. He returns home to southern Louisiana after quitting his job in Washington as an environmental lobbyist. Years of battling with the oil industry and land developers have left him completely burnt out, and now all he wants to do is work on his cabin on Bayou Black. But his peace of mind is disrupted by a few things. One, his great-aunt Tante Lulu is determined to get him hitched. Two, a couple of his activist friends have hatched a plot to bring national attention to their cause to save the bayou. They've kidnapped a TV celebrity and brought her to Rene's cabin. And three, the celebrity is none other than Valerie "Ice" Breux, Rene's nemesis while growing up. Now Val's stranded in Rene's remote cabin, besieged by irrepressible LeDeux relations, not to mention a dingbat duo out to save the swamp. It's bad enough being kidnapped, but did she have to land in the lap of the most irritating, sexiest hunk she's ever laid her eyes on? Val vows she'll give her heart to the Cajun bad boy when alligators fly. Rene swears to get the girl who got away. It's never been steamier in the bayou than with two people this red-hot with desire...and more than ready for love.

Hot, Bothered, and In Over Her Head! After finally dumping her no-good fiancé, decorator Rachel Fortier hightails it out of D.C. straight for Cajun country. But her grandma's Louisiana bayou cabin on stilts isn't quite the grand estate she imagined. Throw in a pet alligator named Useless and Remy LeDeux, the smoldering-eyed pilot angling for her family's property, and Rachel's in for a passel of trouble-especially since their chemistry is hotter than the Atchafalaya Swamp in July. With his Tante Lulu itching to marry him off and Rachel's rifle-toting grandma ready to shoot Remy the second he sets foot on her land, the sexiest bad boy this side of the Mason-Dixon Line will need a special kind of voodoo to convince Rachel she was born for the bayou. Cajun Series:Tall, Dark, and CajunThe Cajun CowboyThe Red-Hot Cajun

Big Bad Gator Claude will do anything to have a taste of Petite Rouge...even if it means putting on a duck bill, flippers, and frilly underwear. He presents no match for the spunky heroine and her quick-thinking cat TeJean, though, as they use some strong Cajun hot sauce to teach Claude a lesson he will never forget! The combination of hilarious rhyme and exaggerated art creates a highly original retelling of the classic fairy tale. A pronunciation guide/glossary accompanies a tempting dialect that begs to be read aloud or acted out again and again. This is Little Red Riding Hood as she's never been seen before: Cajun and ducky.

Charmaine LeDeux, who owns not one but two beauty salons on the Louisiana bayou, has a loan shark on her tail. As if that's not bad enough, Raoul Lanier, who she thought she divorced years ago, tells her that they're still married! Plus, they've inherited his father's rundown cattle ranch together. Raoul promises to give her an honest-to-god real divorce this time if she'll sell him her half of the ranch. But she decides that the ranch is the perfect place for her after all; i.e., the perfect hideout for a woman who needs to lie low for a while. The last thing Raoul wants is for Charmaine to live with him, but Charmaine has always been stubborn. Soon she's taken over the house, adding feminine touches everywhere and having his three ranch hands eating out of her hand. When her belly-dancing great-aunt and the rest of the LeDeux clan come over for Thanksgiving dinner, Raoul knows he's lost the fight. He might as well give in to the temptation she still rouses in him. Now if he can only keep her safe from the Dixie mafia looking for her and convince her that he's worth a second chance at love.

First in the Cajun series. “The very talented Sandra Hill adds to her already impressive list of reading gems with this delightfully funny and sexy tale.” —Romantic Times A love potion in a jelly bean? Fame and fortune are surely only a swallow away when Dr. Sylvie Fontaine discovers a chemical formula guaranteed to attract the opposite sex. Though her own love life is purely hypothetical, the shy chemist’s professional future is assured . . . as soon as she can find a human guinea pig. The only problem is the wrong man has swallowed Sylvie’s love potion. Bad boy Lucien LeDeux is more than she can handle even before he’s dosed with the Jelly Bean Fix. The wildly virile lawyer is the last person she’d choose to subject to the scientific method. When the dust settles, Sylvie and Luc have the answers to some burning questions: Can a man die of testosterone overload? Can a straightlaced female lose every single one of her inhibitions? And they learn that old-fashioned romance is still the best catalyst for love. “Sandra Hill always tells a delightfully humorous story with a unique twist . . . Readers will chuckle as they get caught up in the romantic sparring and all the madcap adventures . . . The Love Potion is definitely a read-again book, just to make sure you didn’t miss anything. It’s a hoot!” —Bookbug on the Web “Combines the steamy Cajun atmosphere of The Big Easy with the humor of a screwball comedy . . . a terrific read.” —The Romance Reader “[A] hilarious, fun-loving, steamy, breathtaking tale of passion.” —Bell, Book and Candle

THE BAYOU'S BADDEST BAD BOY IS BACK! Joining the Navy was the second best thing that ever happened to Justin "Cage" LeBlanc, the rebel son of a no-account convict. The first was Emelie Gaudet, the love of his life . . . until he was forced to leave town and swore there would be snow on the bayou before he ever returned. Now, only his mortally ill grandma can bring the injured Navy SEAL back to Terrebone Parrish, where he must face his past-and Emelie, who's even more beautiful than she was all those years ago. Bourbon Street blues singer Emelie is once bitten, twice shy. When she learns that Justin is back in town, she wants nothing to do with the once wild Cajun teenager who fled with the law on his tail-and broke her heart. But she can't deny the red-hot attraction between them . . . or his efforts to prove he's finally changed his hell-raising ways. Can she trust that this time the bad boy of the bayou will be the best man for her?

"Imagine," writes Philip Gould, "a remote club nestled in a rural community that is barely on the map, where upon entering through worn screen doors one feels the flow of air from the wall-sized floor fans working hard to relieve the sultriness. Folks of all ages glide across a worn wooden dance floor as a Cajun or zydeco band belts out spirited two-steps and waltzes..." In this engaging book Gould takes us into the fascinating world of south Louisiana's celebrated musical cultures. Cajun Music and Zydeco contains more than one hundred color photographs of the performers, dance halls, and appreciative fans that have made the state's indigenous music a national, even worldwide, phenomenon. The photographs span a period of some ten years. They include portraits of Cajun musicians like Zachary Richard, Dewey Balfa, Wayne Toups, Michael Doucet, and Steve Riley and such zydeco performers as Terrance Simien, the Ardoin family, Canray Fontenot, Boozoo Chavis, and the legendary Clifton Chenier. Gould photographs many of the venues in which these musicians have performed, including El Sid O's Club and Hamilton's Place, in Lafayette; La Poussiere and Mulate's, in Breaux Bridge; Smiley's Bayou Club, in Erath; Slim's Y Ki Ki, in Opelousas; and Tipitina's, in New Orleans -- not to mention Carnegie Hall. He also shows throngs of music lovers at annual events such as the Zydeco Festival in Plaisance and Lafayette's Festival International de Louisiane. Many of the images reinforce the importance of family and community among the musicians, and others emphasize the sheer power the music holds over performers and listeners alike. Philip Gould first came to Louisiana in 1974, just as the revival of Cajun music and zydeco was beginning to take shape. Indeed, one of his early assignments as a photographer for the Daily Iberian newspaper was to cover the first Tribute to Cajun Music, which was held in Lafayette on March 26, 1974. A driving force behind that magical event was Barry Jean Ancelet, whose informed Introduction to this book provides a brief history of Cajun music and zydeco. Ancelet describes the multivarious ethnic mix that contributed to the development of the two musics, outlines their waning popularity during the early years of this century, and celebrates their reenergized vitality since the mid-1970s. He provides a vivid description of the 1974 festival, which unexpectedly attracted more than twelve thousand spectators. It proved to be a watershed in the renaissance not only of Cajun music and zydeco but of Cajun and Creole culture in general. Deeply rooted in the unique world of south Louisiana, Cajun music and zydeco are an important part of the American folk tradition. This beautiful book is a fitting tribute to their enduring appeal.