Paul is a schoolboy, described as tall and thin with strange eyes. He is facing the headmaster and several of his teachers, with whom he does not have a good relationship. All of them, in one way or another, find him difficult and disturbing to teach.

Following the military coup of 1980, martial law was established in Turkey and universities became hotbeds of dissent. The narrator becomes caught up in the political upheaval, as she is a lecturer who refuses to compromise her intellectual integrity and dedication to teaching debate amidst the anti-Leftist movement at the time. Ultimately she must choose either to conform or to stand tall.

From wedding bouquets to funeral wreaths, carnations can be seen everywhere in human culture. Their colorful but delicately folded petals have made them one of the foremost decorative flowers, from the gardens of the Ottoman Empire to American Mothers Day bouquets, via Chinese medicines and French Empresses. In this book, Twigs Way explores the extraordinary history of this inimitable flower. The author traces the trials and tribulations of early breeders—compelled by florists’ fascinations for the striped and spotted—which led to delightfully colored (and delightfully named) varieties such as Lustie Gallant and Bleeding Swain. She looks at the symbolism of the red and white—and even green—carnations made famous by Oscar Wilde, and glides through many of the rooms in literature and history that we have filled with the carnation’s glorious scent. Travelling from Europe to China, Way explores how carnations have been used by herbalists the world over as a treatment for ailments to both mind and body, and she looks at the many paintings that have attempted to capture their unique complexities. Lavishly illustrated and full of unexpected delights, this book will—like the carnation itself—charm the mind and invigorate the senses.

Mildred Dee Brown (1905–89) was the cofounder of Nebraska’s Omaha Star, the longest running black newspaper founded by an African American woman in the United States. Known for her trademark white carnation corsage, Brown was the matriarch of Omaha’s Near North Side—a historically black part of town—and an iconic city leader. Her remarkable life, a product of the Reconstruction era and Jim Crow, reflects a larger American history that includes the Great Migration, the Red Scare of the post–World War era, civil rights and black power movements, desegregation, and urban renewal. Within the context of African American and women’s history studies, Amy Helene Forss’s Black Print with a White Carnation examines the impact of the black press through the narrative of Brown’s life and work. Forss draws on more than 150 oral histories, numerous black newspapers, and government documents to illuminate African American history during the political and social upheaval of the twentieth century. During Brown’s fifty-one-year tenure, the Omaha Star became a channel of communication between black and white residents of the city, as well as an arena for positive weekly news in the black community. Brown and her newspaper led successful challenges to racial discrimination, unfair employment practices, restrictive housing covenants, and a segregated public school system, placing the woman with the white carnation at the center of America’s changing racial landscape.