A wacky tall tale about how musicians first learned to play together. All the musicians in the kingdom are so awful that the king sends his men-at-arms to round up musicians and feed them to the royal crocodiles. Pipe and drum player Piffaro heads for the border, collecting other refugee musicians on the way.

A wacky tall tale about how musicians first learned to play together.All the musicians in the kingdom are so awful that the king sends his men-at-arms to round up musicians and feed them to the royal crocodiles. Pipe and drum player Piffaro heads for the border, collecting other refugee musicians on the way. Their jam session on the road is so bad that the horse pulling the wagon figures out a way to make them all play the same music at the same time—a system of lines and hoofprints. (In fact, there was a time before musical notation was devised, but that’s the only part of this story that is true!) Includes afterword.

In a faraway kingdom where music has been banned, an ever-increasing group of musicians flees certain death. But when their terrible playing becomes too much for their horse, he teaches them to play together by using musical notation.

"WORST GIG is Music Appreciation 225, taught by that cool professor everyone wanted to have beers with after class. One fun nugget after another. It was harder to close than my Twitter app."—Matthew James, McSweeney's "Tawdry tales of concert catastrophes!"—Buzzfeed "Musicians' 'Worst Gig' makes for best read ever."—Salon What is the worst show you've ever played? Sometimes the worst shows inspire the best stories. After hundreds of interviews with national headliners and beloved indie acts alike, entertainment journalist Jon Niccum has crafted a collection that chronicles the most embarrassing, most hilarious and most insane live show moments ever. THE WORST GIG features outrageous stories from stars such as Wilco, Def Leppard, Tenacious D, Rush, John Mayer, and The Sex Pistols. Be it nature's wrath, equipment breakdowns or even military intervention, get the wild scoop on what really happened, straight from the artists themselves.

The unlikely story of a group of former punk musicians, drug addicts, and Hollywood dropouts who put their lives back together by forming a baseball team. "You never know what's going to save you." After years of dingy nightclubs and drug addiction, John Albert and his hard-luck friends certainly never expected their salvation to arrive in the form of a pastime most often associated with Mom, God, and apple pie. Wrecking Crew —a highly unusual chronicle of recovery and redemption—documents the transformation of a group of musicians, struggling screenwriters, and wannabe actors into a competitive band of hardballers. For over a decade, it seemed to be enough: the narcotics, gambling, whores, and aimless rebellion. But as they stumbled into their thirties, the blithe pursuit of self-destruction had simply become exhausting to these battle-scarred denizens of the L.A. counterculture. The romantic squalor of being perpetually broken-down, periodically drug-addled, and irresponsible began to lose its charm. The idea of fielding a baseball team to compete in a hard-knocks amateur league seemed merely the latest in a string of half-hearted stabs at restoring order to their ragged lives. But this escapade was different. When these men donned their team uniforms, the old obsessions started to fade and something incredible began to happen. This is the unforgettable story of the Griffith Park Pirates.

The new standard in jazz fake books since 1988. Endorsed by McCoy Tyner, Ron Carter, Dave Liebman, and many more. Evenly divided between standards, jazz classics and pop-fusion hits, this is the all-purpose book for jazz gigs, weddings, jam sessions, etc. Like all Sher Music fake books, it features composer-approved transcriptions, easy-to-read calligraphy, and many extras (sample bass lines, chord voicings, drum appendix, etc.) not found in conventional fake books.

NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.