This is the seventh book in a progressive series based on the revelations of consciousness research. It describes in detail how to discern not only truth from falsehood but also the illusion of appearance from the actual core of reality. The text explains how to differentiate perception from essence, and thereby enables the reader to resolve the ambiguities and classical riddles that have challenged mankind for centuries and baffled the best minds in history. While modern technologies have provided a phethora of new toys and conveniences, the basic problems of daily existence remain. This book provides the tools to survive and regain fundamental autonomy and inner harmony while living with the complexities of the modern world.

"Scapellato's blend of existential noir, absurdist humor, literary fiction, and surreal exploration of performance art merges into something special. . . . The Made-Up Man is a rare novel that is simultaneously smart and entertaining." —Gabino Iglesias, NPR Stanley had known it was a mistake to accept his uncle Lech’s offer to apartment-sit in Prague—he’d known it was one of Lech’s proposals, a thinly veiled setup for some invasive, potentially dangerous performance art project. But whatever Lech had planned for Stanley, it would get him to Prague and maybe offer a chance to make things right with T after his failed attempt to propose. Stanley can take it. He can ignore their hijinks, resist being drafted into their evolving, darkening script. As the operation unfolds it becomes clear there’s more to this performance than he expected; they know more about Stanley’s state of mind than he knows himself. He may be able to step over chalk outlines in the hallway, may be able to turn away from the women acting as his mother or the men performing as his father, but when a man made up to look like Stanley begins to play out his most devastating memory, he won’t be able to stand outside this imitation of his life any longer. Immediately and wholly immersive, Joseph Scapellato’s debut novel, The Made-Up Man, is a hilarious examination of art’s role in self-knowledge, a sinister send-up of self-deception, and a big-hearted investigation into the cast of characters necessary to help us finally meet ourselves.

The first look at the philosophy behind the Iron Man comics and movies, timed for the release of Iron Man 2 in March 2010 On the surface, Iron Man appears to be a straightforward superhero, another rich guy fighting crime with fancy gadgets. But beneath the shiny armor and flashy technology lies Tony Stark, brilliant inventor and eccentric playboy, struggling to balance his desires, addictions, and relationships with his duties as the Armored Avenger. Iron Man and Philosophy explores the many philosophical issues that emerge from the essential conflicts found in the decades of Iron Man stories in comics and movies. What kind of moral compass does Tony Stark have? Is Iron Man responsible for the death of Captain America after the Marvel Universe “Civil War”? Should people like Stark run the world? How does Tony’s alcoholism impact his performance as Iron Man, and what does it say about moral character? Ultimately, what can Iron Man teach us about the role of technology in society? As absorbing as Iron Man comic books and movies, Iron Man and Philosophy: Gives you a new perspective on Iron Man characters, story lines, and themes Shows what philosophical heavy hitters such as Aristotle, Locke, and Heidegger can teach us about Tony Stark/Iron Man Considers issues such as addiction, personal responsibility, the use of technology, and the role of government Whether you've been reading the comic books for years or have gotten into Iron Man through the movies, Iron Man and Philosophy is a must-have companion for every fan.

From the “startlingly talented” (New York Times) author of Everything Matters!—a bold and timely novel about a grieving man dedicated to unmasking the role that lies and delusions play in our reactionary times "Nobody writing today walks the knife edge of cynicism and sentiment more bravely, intelligently and confidently than Ron Currie. By turns hilarious and heartfelt, The One-Eyed Man is a revelation, a wonder." --Richard Russo “Dark, tender, and oh-so-timely.” – USA Today Ron Currie’s three previous works of fiction have dazzled readers and critics alike with their originality, audacity, and psychological insight. A writer of unique vision and huge imagination, Currie excels at creating complex, troubled, yet endearing characters, and his work has won comparison to everyone from Kurt Vonnegut to George Saunders. K., the narrator of Currie’s new novel, joins the ranks of other great American literary creations who show us something new about ourselves. Like Jack Gladney from White Noise, K. is possessed of a hyper-articulate exasperation with the world, and like Ignatius J. Reilly in A Confederacy of Dunces, he is a doomed truth teller whom everyone misunderstands. After his wife Sarah dies, K.becomes so wedded to the notion of clarity that he infuriates friends and strangers alike. When he intervenes in an armed robbery, K. finds himself both an inadvertent hero and the star of a new reality television program. Together with Claire, a grocery store clerk with a sharp tongue and a yen for celebrity, he travels the country, ruffling feathers and gaining fame at the intersection of American politics and entertainment. But soon he discovers that the world will fight viciously to preserve its delusions about itself. How Currie's unconventional hero comes to find peace, to reenter the world, and to be touched again by emotion and empathy makes for a dramatic, utterly memorable story.