During the 20th Century, France was home to many of the world’s greatest poets. This collection highlights some of the very best verse that came out of a country and century defined by war and liberation. Let Paul Auster guide you through some of the best poetry that 20th century France has to offer. “Indispensable . . . a book that everyone interested in modern poetry should have close to hand, a source of renewable delights and discoveries, a book that will long claim our attention . . . To my knowledge, no current anthology is as full and as deftly edited.”—Peter Brooks, The New York Times Book Review “One of the freshest and most exciting books of poetry to appear in a long while . . . Paul Auster has provided the best possible point of entry into this century's most influential body of poetry.”—Geoffrey O'Brien, The Village Voice

An influential social thinker, the late Richard Harvey Brown was professor of sociology at the University of Maryland and the author of Toward a Democratic Science: Scientific Narration and Civic Communication, published by Yale University Press.

'Poetry will no longer keep in time with action; it will be ahead of it.' Arthur Rimbaud The active and colourful lives of the poets of nineteenth-century France are reflected in the diversity and vibrancy of their works. At once sacred and profane, passionate and satirical, these remarkable and innovative poems explore the complexities of human emotion and ponder the great questions of religion and art. They form as rich a body of work as any one age and language has ever produced. This unique anthology includes generous selections from the six nineteenth-century French poets most often read in the English-speaking world today: Lamartine, Hugo, Baudelaire, Verlaine, Rimbaud, and Mallarmé. Modern translations are printed opposite the original French verse, and the edition contains over a thousand lines of poetry never previously translated into English.

This collection illuminates the uniquely fascinating era between 1820 and 1950 in French poetry - a time in which diverse aesthetic ideas conflicted and converged as poetic forms evolved at an astonishing pace. It includes generous selections from all the established giants - among them Baudelaire, Verlaine, Rimbaud and Breton - as well as works from a wide variety of less well-known poets such as Claudel and Cendrars, whose innovations proved vital to the progress of poetry in France. The significant literary schools of the time are also represented in sections focusing on such movements as Romanticism, Symbolism, Cubism and Surrealism. Eloquent and inspirational, this rich and exhilarating anthology reveals an era of exceptional vitality.

Seer, critic, lover, madwoman--the poet's sensibility gives us a chance to experience them all. This rich, wide-ranging collection of work by scores of America's contemporary poets brings you both wisdom and entertainment in short verse. In it are represented, with one poem each, the chancellors, fellows, and award winners of the Academy of American Poets since 1934. The result is a unique sampler of the various literary styles and themes that have left their marks on the past five decades. Fifty Years of American Poetry gives readers the opportunity to hear familiar voices and new ones--and encounter the great American poems that have captured both our minds and our hearts. The Academy of American Poets has as its stated purpose ''To encourage, stimulate, and foster the production of American poetry..." This was never limited to poets of any particular school, method, or category of poetry so this anthology is as representative a cross-section of American poetry in the last 50 years as any of its kind. The Academy is not a stodgy eastem provincial institution. It encourages young poets, recognizes the importance of change and growth in the poetry of America, and believes that poetry is not for poets only. This anthology was compiled on this basis. Fifty Years Of American Poetry is not only educational, but also inspirational, hopefully imbuing everyone who reads it with a sense of the dynamic and development of American poetry in the last half century. The Academy of American Poets is the only institution which could compile such a unique anthology because it is the oniy group which has consistently played a large part in the American poetry scene through its patronage to poets and its mission to make poetry an accessible and vital part of the American literary landscape. -->

A beautifully jacketed hardcover collection of verse by French-speaking poets from cultures across the globe, spanning the ages from medieval to modern. EVERYMAN'S LIBRARY POCKET POETS. From the troubadours of the Middle Ages to the titans of modern poetry, from Rabelais and Ronsard to Aimé Césaire and Yves Bonnefoy, French Poetry offers English-speaking readers a one-volume introduction to a rich and varied tradition. Here are today’s rising stars mingling with the great writers of past centuries: La Fontaine, François Villon, Christine de Pizan, Marguerite de Navarre, Louise Labé, Baudelaire, Rimbaud, Verlaine, Mallarmé, Apollinaire, and many more. Here, too, are representatives of the modern francophone world, encompassing Lebanese, Tunisian, Senegalese, and Belgian poets, including such notable writers as Léopold Senghor, Vénus Khoury-Ghata, and Hédi Kaddour. Finally, this anthology showcases a wide range of the English language’s finest translators—including such renowned poet-translators as Ezra Pound, Marianne Moore, John Ashbery, and Derek Mahon—in a dazzling tribute to the splendors of French poetry.

John Muir, a young Scottish immigrant, had not yet become a famed conservationist when he first trekked into the foothills of the Sierra Nevada, not long after the Civil War. He was so captivated by what he saw that he decided to devote his life to the glorification and preservation of this magnificent wilderness. "My First Summer in the Sierra," whose heart is the diary Muir kept while tending sheep in Yosemite country, enticed thousands of Americans to visit this magical place, and resounds with Muir's regard for the "divine, enduring, unwasteable wealth" of the natural world. A classic of environmental literature, "My First Summer in the Sierra" continues to inspire readers to seek out such places for themselves and make them their own.