"Astonishing...With the intensity of a perfect balance between the mythic and the real, The Rain Heron keeps turning and twisting, taking you to unexpected places. A deeply emotional and satisfying read. Beautifully written." --Jeff VanderMeer, author of Borne. One of LitHub's Most Anticipated Books of 2021. A gripping novel of myth, environment, adventure, and an unlikely friendship, from an award-winning Australian author Ren lives alone on the remote frontier of a country devastated by a coup d'état. High on the forested slopes, she survives by hunting, farming, trading, and forgetting the contours of what was once a normal life. But her quiet stability is disrupted when an army unit, led by a young female soldier, comes to the mountains on government orders in search of a legendary creature called the rain heron—a mythical, dangerous, form-shifting bird with the ability to change the weather. Ren insists that the bird is simply a story, yet the soldier will not be deterred, forcing them both into a gruelling quest. Spellbinding and immersive, Robbie Arnott’s The Rain Heron is an astounding, mythical exploration of human resilience, female friendship, and humankind’s precarious relationship to nature. As Ren and the soldier hunt for the heron, a bond between them forms, and the painful details of Ren’s former life emerge—a life punctuated by loss, trauma, and a second, equally magical and dangerous creature. Slowly, Ren's and the soldier’s lives entwine, unravel, and ultimately erupt in a masterfully crafted ending in which both women are forced to confront their biggest fears—and regrets. Robbie Arnott, one of Australia’s most acclaimed young novelists, sews magic into reality with a steady, confident hand. Bubbling with rare imagination and ambition, The Rain Heron is an emotionally charged and dazzling novel, one that asks timely yet eternal questions about environment, friendship, nationality, and the myths that bind us.

From a 2019 Sydney Morning Herald Young Novelist of the Year and the author of the highly praised novel Flames comes another beguiling, transformative work of fiction confirming Robbie Arnott as one of Australia's most exciting writers.

*Shortlisted for the Guardian's Not the Booker Prize 2019* ‘A strange and joyous marvel.’ Richard Flanagan *Shortlisted for the Guardian's Not the Booker Prize 2019* In Robbie Arnott’s widely acclaimed and much-loved first novel, a young man named Levi McAllister decides to build a coffin for his sister, Charlotte—who promptly runs for her life. A water rat swims upriver in quest of the cloud god. A fisherman hunts for tuna in partnership with a seal. And a father takes form from fire. The answers to these riddles are to be found in this tale of grief and love and the bonds of family, tracing a journey across the southern island. Utterly original in conception, spellbinding in its descriptions of nature and celebration of language, Flames is one of the most exciting debuts of recent years. Robbie Arnott was born in Launceston in 1989. He was a 2019 Sydney Morning Herald Best Young Novelist, and won the 2019 Margaret Scott Prize, the 2015 Tasmanian Young Writers’ Fellowship and the 2014 Scribe Nonfiction Prize for Young Writers. His widely acclaimed debut, Flames, was published in 2018. The Rain Heron, his second novel, will be published in 2020. Robbie’s writing has appeared in the Lifted Brow, Island, Kill Your Darlings, Meanjin and the anthology Seven Stories. He lives in Hobart. ‘Ambitious storytelling from a stunning new Australian voice. Flames is constantly surprising—I never knew where the story would take me next. This book has a lovely sense of wonder for the world. It’s brimming with heart and compassion.’ Rohan Wilson ‘Arnott confidently borrows from the genres of crime fiction, thriller, romance, comedy, eco-literature, and magical realism, throws them in the air, and lets the pieces land to form a flaming new world.’ Sydney Morning Herald ‘This is a startlingly good first novel, stylistically adventurous, gorgeous in its descriptions and with a compelling narrative that should find a wide readership.’ Australian ‘An Australian literary fabulist classic – well, it certainly deserves to be.’ Avid Reader ‘Visionary, vivid, full of audacious transformations: there’s a marvellous energy to this writing that returns the world to us aflame. A brilliant and wholly original debut.’ Gail Jones ‘Robbie Arnott is a vivid and bold new voice in Australian fiction.’ Danielle Wood ‘Arnott skilfully switches between different voices and genres in a trick reminiscent of David Mitchell’s Cloud Atlas. The range he displays is impressive, swinging from fable to gothic horror to hardboiled detective story.’ Books+Publishing ‘Flames is an exuberantly creative and confident debut. This is a story that sparks with invention...Invigorating, strange and occasionally brutal.’ Australian Book Review ‘This is the kind of book that you’ll be able to read a second, third, even fourth time, and it will still never reveal all its secrets. Composed with meticulous attention to detail, and a mastery of form rarely found in a debut novel, Flames will keep you stewing long after you’ve finished reading it.’ Readings 'A surprising story with a definite feminist edge...the novel’s playfulness and poetry make for a fresh and entertaining read.' Saturday Paper ‘It will be immediately apparent to anyone even vaguely familiar with Tasmania that Arnott is on intimate terms with his island, and his exquisite descriptive prose definitely does this gem of a place justice...More please, Mr Arnott.’ BookMooch ‘A gloriously audacious book. It runs astonishing risks and takes on the biggest emotions...It bowled me sideways.’ New Zealand Herald

At fifty, Alix Kates Shulman left a city life dense with political activism, family, and literary community, and went to stay alone in a small cabin on an island off the Maine coast.

The New York Times bestselling author of the Goosebumps and Fear Street series delivers a terrifying horror novel for adults centered on a town in the grip of a sinister revolt. After travel writer Lea Sutter barely survives a merciless hurricane on a tiny island off the South Carolina coast, she impulsively brings two orphaned twin boys home with her to Long Island. Samuel and Daniel seem amiable and intensely grateful at first, but no one in Lea’s family anticipates the twins’ true evil nature—or predicts that within a few weeks’ time her husband, a controversial child psychologist, will be implicated in two brutal murders. “The horror is grisly” (Associated Press) in legendary author R.L. Stine’s “creepy, fun read” (Library Journal)—an homage to the millions of adult fans who grew up reading his classic series and a must-read for every fan of deviously inventive chillers.

The Japanese believe that until the age of three, children, whether Japanese or not, are gods, each one an okosama, or "lord child." On their third birthday they fall from grace and join the rest of the human race. In Amelie Nothomb's new novel, The Character of Rain, we learn that divinity is a difficult thing from which to recover, particularly if, like the child in this story, you have spent the first tow and a half years of life in a nearly vegetative state. "I remember everything that happened to me after the age of two and one-half," the narrator tells us. She means this literally. Once jolted out of her plant-like , tube-like trance (to the ecstatic relief of her concerned parents), the child bursts into existence, absorbing everything that Japan, where her father works as a diplomat, has to offer. Life is an unfolding pageant of delight and danger, a ceaseless exploration of pleasure and the limits of power. Most wondrous of all is the discovery of water: oceans, seas, pools, puddles, streams, ponds, and, perhaps most of all, rain-one meaning of the Japanese character for her name. Hers is an amphibious life. The Character of Rain evokes the hilarity, terror, and sanctity of childhood. As she did in the award-winning, international bestesller Fear and Trembling, Nothomb grounds the novel in the outlines of her experiences in Japan, but the self-portrait that emerges from these pages is hauntingly universal. Amelie Nothomb's novels are unforgettable immersion experiences, leaving you both holding your breath with admiration, your lungs aching, and longing for more.

In 1949, Ruthie is a skinny, flat-chested, twelve-year-old tomboy with a metal front tooth living in the Washington Heights section of New York City. Its the most important year of her life; shes about to turn thirteen and move from her sheltered elementary school to a large metropolitan high school. She is frightened about leaving her tomboy life and frightened about confronting the world outside of the only places and friends she has ever known. Ruthie decides to start a diary that covers one year of her life and shares her innermost thoughts, feelings, hopes, and dreams. With humor and sensitivity, Spaghetti Rain speaks in the voice of a girl in that place and at that time. The reader is carried into the era through the songs, movies, radio broadcasts, and the daily lives of people. We dine in a famous night club, ice-skate at Rockefeller Center on Christmas Day, and experience the neighborhood shops, delicatessens, and movie palaces. The author describes Ruthies explosive father, her glamorous former showgirl aunt, her gossipy neighbors, and her loving mother. Secrets are revealed - her girlfriends escapes from Hitlers Europe, her grandmothers struggles - and at the end of her journey, Ruthie experiences both good and bad during a car trip to Miami. She and her family are turned away from an hotel because they are Jewish, she witnesses racial discrimination, but she also meets a boy on the beach and discovers first love. Finally, Ruthie realizes she has within her the courage to face whatever life has in store.