The Radio Handbook is a comprehensive guide to radio broadcasting in Britain. Featuring two entirely new chapters for this edition, You Radio and Sport on Radio, this text offers a thorough introduction to radio in the twenty-first century. Using new examples, case studies and illustrations, it examines the various components that make radio, from music selection to news presentation, and from phone-ins to sport programmes. Discussing a variety of new media such as podcasts, digital radio and web-linked radio stations, Carole Fleming explores the place of radio today, the extraordinary growth of commercial radio and the importance of community radio. The Radio Handbook shows how communication theory informs everyday broadcasts and encourages a critical approach to radio listening and to radio practice. Addressing issues of regulation, accountability and representation, it offers advice on working in radio and outlines the skills needed for a career in the industry.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Two award-winning major market producers present the definitive how-to guide for producing a radio show, explaining every duty a radio producer is expected to perform. With refreshing honesty and the humorous flair of professional radio comedy writers, the authors reveal how to get one's professional foot in the radio door, book celebrity guests, craft great interviews, come up with ideas, create great phone segments, write and pitch material, and cope with the pressure that accompanies producing a show in progress. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Before delving into the mysteries of receiving and sending messages without wires, a word as to the history of the art and its present day applications may be of service. While popular interest in the subject has gone forward by leaps and bounds within the last two or three years, it has been a matter of scientific experiment for more than a quarter of a century. The wireless telegraph was invented by William Marconi, at Bologna, Italy, in 1896, and in his first experiments he sent dot and dash signals to a distance of 200 or 300 feet. The wireless telephone was invented by the author of this book at Narberth, Penn., in 1899, and in his first experiments the human voice was transmitted to a distance of three blocks. The first vital experiments that led up to the invention of the wireless telegraph were made by Heinrich Hertz, of Germany, in 1888 when he showed that the spark of an induction coil set up electric oscillations in an open circuit, and that the energy of these waves was, in turn, sent out in the form of electric waves. He also showed how they could be received at a distance by means of a ring detector, which he called a resonator.

The first book to document and emphasize the myriad voices of the free radio movement, from Black Liberation Radio in Springfield, Illinois, to Free Radio Berkeley in Berkeley, California. The first section, "Media Monopoly And The Rise Of The Free Radio Movement" includes contributions from Robert McChesney on the political economy of radio in North America and a history and analysis of the burgeoning pirate radio movement. The second section, "On The Air," includes interviews with and commentary by some of the key grassroots participants in micropower broadcasting worldwide--from Canada, Holland, Haiti, and Mexico, as well as America. The final section of the book consists of a comprehensive technical guide and how-to manual for going on the air, complete with schematics and "sound" advice.

This is a comprehensive guide to radio broadcasting in Britain. It examines the various components that make radio, from music selection to news presentation, and from phone-ins to sports programmes.