This novel goes back through the lives of three women, a psychoanalyst, an art historian and a good woman who all met at Cambridge in the 1950s.

A gorgeously woven tale of magic, friendship, and self-discovery set in a dream-like landscape filled with fairies. After years of living in America, Clare Macleod and her father are returning to Ireland, where they’ll inhabit the house Clare was born in—a house built into a green hillside with a tree for a wall. For Clare, the house is not only full of memories of her mother, but also of a mysterious boy with raven-dark hair and dreamlike nights filled with stars and magic. Clare soon discovers that the boy is as real as the fairy-making magic, and that they’re both in great danger from an ancient foe. Fast-paced adventure and spellbinding prose combine to weave a tale of love and loyalty in this young adult fantasy. ★ "A stunningly atmospheric, gorgeously complicated dream of a book." —Publishers Weekly, starred review ★ "An unforgettable tale . . . that contains all the darkness and light of A Midsummer Night's Dream." —School Library Journal, starred review "Gorgeous, haunting, and wonderfully strange, The Radiant Road establishes Katherine Catmull as a master of the modern fairy tale." —Anne Ursu, author of The Real Boy and Breadcrumbs "Katherine Catmull deftly weaves Clare's contemporary story with ancient Celtic lore. The Radiant Road is a beguiling novel with a strong, engaging protagonist." —Juliet Marillier, author of Daughter of the Forest and Wildwood Dancing

FINALIST FOR THE 2022 PEN/FAULKNER AWARD FOR FICTION FINALIST FOR PUBLISHING TRIANGLE'S EDMUND WHITE DEBUT FICTION AWARD In the last weeks of her pregnancy, a Muslim Indian lesbian living in San Francisco receives a visit from her estranged mother and sister that surfaces long held secrets and betrayals in this "sweeping family saga . . . with the beautiful specificity of real lives lived, loved, and fought for" (Entertainment Weekly) Working as a consultant for Kamala Harris’s attorney general campaign in Obama-era San Francisco, Seema has constructed a successful life for herself in the West, despite still struggling with her father’s long-ago decision to exile her from the family after she came out as lesbian. Now, nine months pregnant and estranged from the Black father of her unborn son, Seema seeks solace in the company of those she once thought lost to her: her ailing mother, Nafeesa, traveling alone to California from Chennai, and her devoutly religious sister, Tahera, a doctor living in Texas with her husband and children. But instead of a joyful reconciliation anticipating the birth of a child, the events of this fateful week unearth years of betrayal, misunderstanding, and complicated layers of love—a tapestry of emotions as riveting and disparate as the era itself. Told from the point of view of Seema’s child at the moment of his birth, and infused with the poetry of Wordsworth and Keats and verses from the Quran, Radiant Fugitives is a moving tale of a family and a country grappling with acceptance, forgiveness, and enduring love.

In Cynthia Huntington's The Radiant, what is most tragic can, and often does, become beautiful. "What/ is memory? Who stays to mourn?/ It seems we feel so much/ and then we die. The marsh hawk/ veers over the grass, listening." Poems about Multiple Sclerosis and domestic turmoil are never drowned in the rhetoric of complaint, but seized by language that is intense yet seeks the equilibrium of its own level: "His loneliness is cold water. that makes rocks shine. Great stillness/ where he is. Then, slowly, birds." The poems in The Radiant flow brutally from a scarred heart, from "what grows hard, and cannot be repaired." But in the end these are prayers of thankfulness, prayers that transcend desire: ". . . we belong here, where no one is refused,/ in the room we come to at last--immortal,/ irreparable, beyond hope."