During the 19th century and the first part of the 20th German universities were at the forefront of scholarship in what we now call Orientalism. Drawing upon a survey of thousands of published works this book presents a history of the development of Oriental studies during this period.

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This fascinating and important book attempts to investigate the nature of the seven Ahruf in which the Qur'an has been revealed and the reason for the variations in readings among the Qurraa of the Quran. It studies, examines, and discusses: the revelation of the Qur'an in the seven ahruf concluding that they represent seven linguistical ways of recitation; the compilation of the Quran during the lifetime of the Prophet and the preservation of the Quran in the memories of the Companions as well as in written form, the compilation during the time of Abu Bakr, and the further compilation during the time of Uthman; the problem of naskh to demonstrate the completeness and trustworthiness of the Quran and that no verses are missing or were read and abrogated by naskh al-tilawah either with or without hukm; the Uthmanic masahif and their relation to the seven ahruf; the language of the Quran and whether it includes one, several, or all the dialects of the Arabs; the origin of the qiraat and conditions governing accepted readings; and ikhtiyar (i.e., the selection of one reading rather than another) and the rules governing the Qurraa' who selected a reading.

This first complete translation of Theodor Nöldeke’s The History of the Qurʾān offers a foundational work of modern Qurʾānic studies to the English-speaking public. Nöldeke’s original publication, as revised and expanded over nearly three quarters of a century by his scholarly successors, Friedrich Schwally, Gotthelf Bergsträsser and Otto Pretzl, remains an indispensable resource for any scholarly work on the text of the Qurʾān. Nöldeke’s segmentation of the surahs into three Meccan periods and a Medinan one has shaped all subsequent discussions of the chronology of the Qurʾān. The revisions and expansions of Nöldeke’s initial discussions of the orthography and variant readings of the text have found a new audience among those contemporary scholars who seek to create a more sophisticated understanding of the Qurʾān’s textual development.

This is the first translation of the Quran by an American woman. It is a universal and inclusive translation with the hope that Islam will be better understood in the West. She also challenges the use of the wowrd "to beat" in 4: 34 as meaning "to go away" which is how the Prophet of Islam understood the word as it has historically justified violence against and abuse of Muslim women. "This interpretation must change," she says, "and revert to the way the Prophet understood it."

This study illustrates why the language of the Qur'an is miraculous, unique, and evidence of divine authority. The author compares the language of the Qur'an with the language of pre-Islamic poetry, the Prophet's words (hadith), and the language of the Arabs both past and present, to demonstrate that although the Qur'an was revealed in Arabic it was at the same time an Arabic which was entirely new. Original and early Muslim audiences viewed this as miraculous and responded to the Qur'an's words, sounds, rhythms, etc. in a manner consistent with a deeper appreciation of its beauty and majesty which modern ears, trained by familiarity, and despite being surrounded by all manner of dictionaries and studies, are at a loss to capture. The author attempts to remove this veil and present the Qur'an to readers as if hearing it for the first time, to bring to life some of this wonder. In doing so he guides readers to appreciate the beauty of the Qur'an, to become more immersed in it, and to have a clearer understanding of its structure and flow. Devoting special attention to Surah Al Muddaththir, to underpin his analysis, Saeh thus brings the Revelation to life, to demonstrate that each surah has distinct features and characteristics that make it stand out uniquely within the design and sweep of the whole.