The ghost of a beautiful young woman, Sylvie, hovers outside the window of Will Self's study. She is seeking to influence his latest novel, before she can rest in peace. Sylvie was a member of the WSC - a mysterious cult of charismatic writers who appear to worship Will Self. When Richard, a twenty-something idler and literary wannabe, discovers Sylvie's dead body he gets sucked into their dark world of absinthe, cloaks and bizarre initiation rites, slowly losing his sense of perspective on the strange events that encircle him. What is the true nature of the WSC? What did they do to Sylvie? And does Richard now face a similar fate?

"A brother is as easily forgotten as an umbrella."--James Joyce, "Ulysses" 1918 Audrey Death--feminist, socialist and munitions worker at Woolwich Arsenal--falls ill with encephalitis lethargica as the epidemic rages across Europe, killing a third of its victims and condemning a further third to living death. 1971 Under the curious eyes of psychiatrist Dr. Zack Busner, assumed mental patient Audrey Death lies supine in bed above a spring grotto that she has made every one of the forty-nine years she has resided in Friern Mental Hospital. 2010 Now retired, Dr. Busner travels waywardly across North London in search of the truth about that tumultuous summer when he awoke the post-encephalitic patients under his care using a new and powerful drug. Weaving together a dense tapestry of consciousness and lived life across an entire century, in his latest and most ambitious novel, Will Self takes up the challenge of Modernism and reveals how it--and it alone--can unravel new and unsettling truths about our world and how it came to be.

A unique, remarkable and hilarious portrait of one our most talked-about and controversial literary figures. 1994. Matthew De Abaitua, fresh out of university, is being interviewed for a job. The interview involves discussing literature, honking on a special cigarette and shooting at empty whisky bottles with an air rifle. The job in question is that of amanuensis, or live-in personal assistant. The employer is Will Self, the enfant terrible of the literary scene. For the next six months, De Abaitua and Self share a remote cottage in Suffolk, working on their literary ambitions. They are distracted by hikes to Sizewell nuclear power station, opium tea and the allure of Soho. Thanks to Self and his library of bad influences, from JG Ballard to William Burroughs, De Abaitua undergoes a rite of passage that changes him forever. Caught up in vital threads of the early Nineties, from the rise of New Labour to the slow decline of the literary establishment and the emergence of the internet, Self & I is set in a time that burns brightest in its final hour. It is a frank and very funny account of a young, hopeful writer who finds himself alongside one of his heroes only to discover that literary ambition comes at a price. 'If you love Withnail & I, you must read this.' Caroline Sanderson, The Bookseller 'I love the perfectly wry balance Matthew De Abaitua achieves between innocence and knowingness, between apprenticeship and ambition. It's a delicious peek into the "Will Self industry" and the vanished publishing world of the Nineties, but it's also a wonderful, highly readable book about love and dedication, and coming of age as a process of learning to be honest with ourselves.' Lauren Elkin, author of Flâneuse Self & I ups the stakes on both U&I and Withnail and I to offer an utterly compelling account of what it means to read, write, live and breathe literature. Anyone interested in the world of letters will devour this book with delight.' Matt Thorne'Very funny but with an undertow of melancholy, Self & I is at root a hymn to the vocation of writing and, as such, sings to all us nearly-writers, wannabe-writers and sometime-writers (i.e. all writers) with the ecstasy of scripture.' Will Ashon, author of Strange Labyrinth

Everybody knows a chauvo-feminist . . . The 2017 #MeToo movement was a flagship moment, a time which empowered women to share their stories of sexual harassment and abuse in a spirit of solidarity and in demand of change. But have some men simply changed tactics? Acclaimed author Sam Mills investigates the phenomenon of the chauvo-feminist, the man whose public feminism works to advance his career, whilst his private self exhibits age-old chauvinistic tactics. Through testimonies and her own experience, Mills examines the psychological underpinnings of the chauvo-feminist, exploring questions of modern relationships, consent, and emotional abuse and asks how we might move beyond 'trial by Twitter' to encourage an honest and productive dialogue between men and women. 'We've all met That Guy. In this searching and provocative essay, Sam Mills neatly skewers the men who publicly spout feminism while treating women badly behind closed doors — and asks how we can move forward to a happier, more feminist future.' Samantha Ellis 'Thought-provoking, on point and abreast of contemporary ideas about the chauvinism of women's everyday lives. A book for our times.' Monique Roffey, author of The Mermaid of Black Conch, winner of the 2020 Costa Prize for Fiction 'In this lithe and luminous essay, Sam Mills explodes the hypocrisy of many men in the wake of the #MeToo movement . . . Clever, funny, gripping and beautifully written, Chauvo-Feminism is an exploration not just of the female experience, but of civilisation itself. This is a dazzling, essential book. Men with mutant politics: beware!' Emma Jane Unsworth, author of Animals

The ghost of a beautiful young woman, Sylvie, hovers outside the window of Will Self's study. She is seeking to influence his latest novel, before she can rest in peace. Sylvie was a member of the WSC - a mysterious cult of charismatic writers who appear to worship Will Self. When Richard, a twenty-something idler and literary wannabe, discovers Sylvie's dead body he gets sucked into their dark world of absinthe, cloaks and bizarre initiation rites, slowly losing his sense of perspective on the strange events that encircle him. What is the true nature of the WSC? What did they do to Sylvie? And does Richard now face a similar fate?

What is there is only a limited amount of sanity in the world and the real reason people go mad is because somebody has to? What if a mysterious tribe in the Amazon rainforest turn out to be the most boring people on earth? What if the afterlife is nothing more than a London suburb, where the dead get new flats, new jobs, and their own telephone directory? These are the sort of truths that emerge in this collection of stories by one of England's most gifted writers. In The Quantity Theory of Insanity, Will Self tips over the banal surfaces of everyday existence to uncover the hideous, the hilarious, and the bizarre. Psychiatry, anthropology, theology—and literature—will never be the same.

After returning to Fairyland, September discovers that her stolen shadow has become the Hollow Queen, the new ruler of Fairyland Below, who is stealing the magic and shadows from Fairyland folk and refusing to give them back.