Mary Jekyll and the Athena Club foil a plot to unseat the Queen and race to save one of their own in this electrifying conclusion to the Locus Award winning trilogy that began with The Strange Case of the Alchemist’s Daughter. Life’s always an adventure for the Athena Club...especially when one of their own has been kidnapped! After their thrilling European escapades rescuing Lucina van Helsing, Mary Jekyll, and her friends return home to discover that their friend and kitchen maid Alice has vanished—and so has their friend and employer Sherlock Holmes! As they race to find Alice and bring her home safely, they discover that Alice and Sherlock’s kidnapping are only one small part of a plot that threatens Queen Victoria, and the very future of the British Empire. Can Mary, Diana, Beatrice, Catherine, and Justine save their friends—and the Empire? In the final volume of the trilogy that Publishers Weekly called “a tour de force of reclaiming the narrative, executed with impressive wit and insight” in a starred review, the women of the Athena Club will embrace their monstrous pasts to create their own destinies.

Once Upon a Time meets Game of Thrones in New York Times bestselling author Gena Showalter’s magical, romantic dark fantasy series, in which the fairy tales we know and love are prophecies of the future. Welcome to the Forest of Good and Evil, where villains may be heroes and heroes may be villains...it all depends on who you ask. In the realm of Enchantia, creatures of legend still exist, magic is the norm, and fairy tales are real. Raised in the human world, Everly Morrow has no idea she’s a fairy-tale princess—until she begins to commune with mirrors. Soon, a horrifying truth is revealed. She is fated to be Snow White’s greatest enemy, the Evil Queen. With powers beyond her imagination or control, Everly returns to the land of her birth. There, she meets Roth Charmaine, the supposed Prince Charming. Their attraction is undeniable, but their relationship is doomed. As Everly faces disasters and betrayals, giving in to her dark side proves more tempting. Can she resist, or will she become the villain she was born to be? Critics love The Evil Queen: “Showalter (the Everlife books) delivers an entertaining series opener that condemns prejudice while championing self-determination. Romance-sweet and steamy, gay and straight-features prominently, action and humor abound, and the mystery of how each character figures into the legend imparts intrigue.”—Publishers Weekly “The novel's conceit has a lot of potential with its deconstruction of a cherished fairy tale, an interesting take on good and evil as actions rather than fate, and a long cast of characters in ever evolving roles that will leave readers wondering who they are supposed to be.”—Kirkus Reviews The Forest of Good and Evil Series: The Evil Queen The Glass Queen

Two best friends. Seven years of pining. One explosive summer… Romance is weakness, and Jasmine Allen doesn’t have time for either. Lifelong cynic Jas is the queen of one-night things—until a plumbing disaster screws everything up and leaves her temporarily homeless. Luckily, she has someone to turn to: her best friend Rahul. For seven years, Rahul Khan has followed three simple rules. Don’t touch Jasmine if you can help it. Don’t look at her arse in that skirt. And don’t ever—ever—tell her you love her. He should’ve added another rule: Do not, under any circumstances, let Jas move into your house. Now Rahul is living with the friend he can’t have, and it’s decimating his control. He knows their shared dinners aren’t dates, their late-night kisses are a mistake, and the tenderness in Jasmine’s gaze is only temporary. One wrong word could send his skittish best friend running. So why is he tempted to risk it all?

In Michigan in the mid-1950s, Lewis Barnavelt is convinced that the series of accidents he and his uncle are experiencing are the result of a curse by a mysterious, hooded figure that may be part of his uncle's past.

The Sinister Side is the first book to detail the richness and subtlety of left-right symbolism since the Renaissance, and to show how it was a catalyst for some of the greatest works of visual art from Leonardo and Michelangelo to Rembrandt and Picasso. Traditionally, the left side was regarded as evil, weak, and worldly, but with the Renaissance, artists began to represent the left side as the side that represented authentic human feelings and especially love. Writers including Lorenzo de' Medici, Michelangelo, and Winckelmann hailed the supreme moral and aesthetic beauty of the left side. Images of lovers foreground the left side of the body, emphasizing its refinement and sensitivity. In the late nineteenth century, with the rise of interest in the occult and in spiritualism, the left side becomes associated with the taboo and with the unconscious. James Hall's insightful discussion of left and right symbolism helps us to see how the self and the mind were perceived during these periods, and gives us a new key to understanding art in its social and intellectual context.

From Brittany’s misty shores to the decadent splendor of Paris’s royal court, one woman must fulfill her destiny–while facing the treacherous designs of Catherine de Medici, the dark queen. She is Ariane, the Lady of Faire Isle, one of the Cheney sisters, renowned for their mystical skills and for keeping the isle secure and prosperous. But this is a time when women of ability are deemed sorceresses, when Renaissance France is torn by ruthless political intrigues, and all are held in thrall to the sinister ambitions of Queen Catherine de Medici. Then a wounded stranger arrives on Faire Isle, bearing a secret the Dark Queen will do everything in her power to possess. The only person Ariane can turn to is the comte de Renard, a nobleman with fiery determination and a past as mysterious as his own unusual gifts. Riveting, vibrant, and breathtaking, The Dark Queen follows Ariane and Renard as they risk everything to prevent the fulfillment of a dreadful prophecy–even if they must tempt fate and their own passions.