Queen Christina of Sweden danced herself in the ballets she promoted. From the beginning of her personal rule until her abdication (1644-1654) court ballet was Christina's privileged medium of political propaganda. The Queen Danced Alone is the first monograph on court ballet during Christina's reign that offers an in-depth analysis of all extant libretti and performances. Based on unstudied and unpublished sources The Queen Danced Alone offers a survey of participants in the production and performances - authors, dancers, musicians, artists - as well as the arts involved: dance, music, poetry, set design and costumes. Christina's patronage is especially evident in the heroic motives of the ballets. Her self-fashioning through the parts of the goddesses Diana and Pallas mirrored her role as a young, unmarried and learned monarch and aimed at liberating her from the expectation of providing an heir to the throne. The praise of virtues such as self-control and chastity represented her as a superior being devoted to wisdom. Christina's ballets supported her most important aim: independence.

Spiritual lessons from insect archetypes of the Medicine Wheel • Reveals the sacred wisdom inherent in Honeybee’s pollinating, Butterfly’s transformation, Spider’s weaving, and Earthworm’s recycling • Provides experiential practices, such as Shamanic Breathwork journeys, to connect with insect teachers and harness their consciousness-activating patterns • Shows how Dragonfly, Cicada, and Cricket connect us with the Great Star Nations, the depths of Mother Earth, and the music of life • Includes access to Cricket Chorus Meditation audio tracks Our insect brothers and sisters are some of the most ancient beings and teachers on planet Earth. Their powerful skills of adaptation and their plight, such as the widespread colony collapse facing honeybees, have brought them to the forefront of collective consciousness, as every being on Earth faces a time of incredible transformation. The archetypal energies of these sacred Wisdomkeepers can guide us through this evolutionary time with new pathways of shamanic healing and transformation to realize the highest potential of humanity. Exploring the insect and arachnid archetypes of the Sacred Instar Medicine Wheel, authors Linda Star Wolf and Anna Cariad-Barrett reveal the consciousness-activating patterns in the pollen flight of Honeybee, the transformative chrysalis of Butterfly, the creative weavings of Spider, and the alchemical recycling of old into new of Earthworm. They show how Dragonfly, Cicada, and Cricket connect us with the Great Star Nations, the depths of Mother Earth, and the music of life, as demonstrated on the accompanying audio tracks. Each chapter includes experiential practices, such as Shamanic Breathwork journeys, to help you embody the strengths of these humble teachers, live within the natural cycles of planet Earth, and discover a higher octave of sacred purpose.

Volume 8 dis­cusses, among others, the careers of Charles Incledon, the "English Ballad-Singer," boxing champion of England, "Gentleman" John Jackson, and members of the famous Kemble family-- Charles, Maria Theresa, Frances, Henry, John Philip, Priscilla, Elizabeth, Roger, and Stephen.

She was a war general, but she died in October due to her mistake in marrying a good man. The heavens had eyes, and it caused her, who had a deep grudge against him, to attach her soul to the beggar who had frozen to death by the roadside. Once she was reborn, she was saved by the prince who fed her and helped her find her martial arts. She swore to send all the people who had injured her in her previous life to hell, one by one, to never be able to stand up again.