From ghost story master Mary Downing Hahn, an assortment of eerie short stories to thrill and chill young readers

The author of wildly popular ghost stories, Mary Downing Hahn has created a group of tales for fans of her "scary but not too scary" books. Even the stories without actual ghosts are spooky. Each tale turns something ordinary—a pigeon, a white dress, a stranger on the bus, a puppet—into a sinister link to the supernatural. For the human characters, secrets from the past or careless behavior in the present can lead to serious trouble. All the stories have a young person as the central character, so all will resonate with young readers who enjoy the eerie, the creepy, and the otherworldly. In a concluding note, the author talks about how she came to write ghost stories.

A classic ghost story with twists and turns: a spooky house, a malevolent spirit and two plucky heroines. In 1960s Toronto, two girls retreat to their attics to escape the loneliness and isolation of their lives. Polly lives in a house bursting at the seams with people, while Rose is often left alone by her busy parents. Polly is a down-to-earth dreamer with a wild imagination and an obsession with ghosts; Rose is a quiet, ethereal waif with a sharp tongue. Despite their differences, both girls spend their days feeling invisible and seek solace in books and the cozy confines of their respective attics. But soon they discover they aren't alone--they're actually neighbors, sharing a wall. They develop an unlikely friendship, and Polly is ecstatic to learn that Rose can actually see and talk to ghosts. Maybe she will finally see one too! But is there more to Rose than it seems? Why does no one ever talk to her? And why does she look so ... ghostly? When the girls find a tombstone with Rose's name on it in the cemetery and encounter an angry spirit in her house who seems intent on hurting Polly, they have to unravel the mystery of Rose and her strange family... before it's too late.

Just before summer begins, 13-year-old Ali finds an odd photograph in the attic. She knows the two children in it are her mother, Claire, and her aunt Dulcie. But who’s the third person, the one who’s been torn out of the picture? Ali figures she’ll find out while she’s vacationing in Maine with Dulcie and her four-year-old daughter, Emma, in the house where Ali’s mother’s family used to spend summers. All hopes for relaxation are quashed shortly after their arrival, though, when the girls meet Sissy, a kid who’s mean and spiteful and a bad influence on Emma. Strangest of all, Sissy keeps talking about a girl named Teresa who drowned under mysterious circumstances back when Claire and Dulcie were kids, and whose body was never found. At first Ali thinks Sissy’s just trying to scare her with a ghost story, but soon she discovers the real reason why Sissy is so angry. . . . Mary Downing Hahn is at her chilling best in this new supernatural tale that’s certain to send shivers down her readers’ spines.

A contemporary thriller by the bestselling author of The Old Willis Place. Two 13-year-old boys, Arthur and Logan, set out to solve the mystery of a murder that took place some years ago in the old house Logan's family has just moved into. The boys' quest takes them to the highest and lowest levels of society in their small Maryland town, and eventually to a derelict amusement park that is supposedly closed for the season.

Young Mollie traverses eerie, perilous lands to retrieve her baby brother, Thomas, from the Kinde Folke, malicious sprites who snatched him and left a hideous changeling in his place.

‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.