This tribal history of the Spokane Indians begins with an account of their early life in the Pacific Northwest central plateau region. It then describes in harrowing detail the U.S. government’s encroachment on their lands and the subsequent enforced settlement of Spokane people on reservations. The volume concludes with a presentation of twentieth-century developments. This edition of The Spokane Indians features a new foreword and introduction, which provide up-to-date information on the Spokane people and their most recent efforts to recover and strengthen their historical and cultural heritage.

A Bibliography of Klamath Basin Anthropology, with Excerpts and Annotations—Revised Edition, B. K. Swartz, Jr.

This richly detailed, well-documented history describes the life of the Squaxin spiritual leader John Slocum and the growth in the Pacific Northwest of his Indian Shaker Church (not to be confused with eastern Shakerism. Students of Native American religion and Christianity will find this a moving story both of assimilation and of the curing that is the Shaker Church’s reason for being. The Indian Shaker movement began in 1882 when the charismatic but dissolute Slocum had a vision after a near-death experience. Later his church was led by his wide, Mary Thompson, and early-day leaders such as Mud Bay Louis and Mud Bay Sam. Today church members continue to combine Native American styles of singing, body movement, and verbal declarations with bell ringing, songs, burning candles, and shaking in a unique curing tradition that is honored outside the church particularly for its success in teaching against the use of alcohol. Intense community support, for both leader and patient, is a focal point in the lives of Shaker Church members. Their tradition has endured despite the important differences in members’ tribal backgrounds and religious viewpoints chronicled in this up-to-date account by veteran scholars Robert H. Ruby and John A. Brown, the first outsiders to have access to church records.

"This is the most original, most thoughtful piece of scholarship of our times on the fur trade of the Plateau."--WILLIAM R. SWAGERTY, University of Idaho.

First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).