"The definitive account of one of hardcore punk's most enigmatic figures." —Lucky Lehrer, Circle Jerks drummer In 1983, Circle Jerks bassist Roger Rogerson stole the band’s van and dropped off the face of the earth. Thirteen years later, he came back, demanded that his bandmates reunite so they could become “bigger than the Beatles,” and promptly dropped dead. Though he was a founding member of the band and played on three of their best albums, Rogerson was lost to history. Woven from interviews of people who knew him,The Prodigal Rogerson explains what happened to Rogerson, where he went, and who he was—all against the backdrop of the Los Angeles punk scene in its prime.

Speak In Tongues was a freewheeling, community-run underground music venue in Cleveland, Ohio that operated on a do-it-yourself basis throughout the late 1990s. The venue fostered a flourishing creative culture, where you could enjoy a puppet show from a spray-painted couch or meet other punks to start a band or a movement, but was also smoothly run with a great sound system and the best curation of music that you could hear in the city during its tenure. On any given night, you could go see hardcore punk, experimental jazz, or thrash shows where fireworks were set off inside the building. Traveling bands regularly booked shows there, including ones that went on to greater fame, like Modest Mouse, Avail, Lifter Puller, Jimmy Eat World, Alkaline Trio, Milemarker, and J Church. Venue operators, and later a management collective, contended with police surveillance, skinheads with knives, an exploding oil drum full of raw meat, a flaming car, and a different number of riots depending on who you ask. There may not have been a bar, but a healthy BYOB policy ensures that everyone’s memory is different, resulting in an entertaining story of a place that truly was what you made it, the source of lifelong friendships and endless lore. This comprehensive oral history tells a story that is greater than the sum of each person’s recollections, forming a picture of a unique, weird, special place that deeply informed the next twenty years of Cleveland’s underground culture.

In the early 70s, Detroit was the musical hub of America, but by the early eighties, it was a wasteland. It took a group of skateboarders, a teacher and a census clerk to wake the city up and start one of the first hardcore punk scenes in America. Why Be Something That You're Not chronicles the first wave of Detroit hardcore from its origins in the late 70s to its demise in the mid-80s. Through oral histories and extensive imagery, the book proves that even though the California beach towns might have created the look and style of hardcore punk, it was the Detroit scene - along with a handful of other cities - that cultivated the music's grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about. The book includes interviews with members of The Fix, Violent Apathy, Negative Approach, Necros, Pagans, Bored Youth, and L-Seven along with other people who had a hand in the early hardcore scene like Ian MacKaye, Tesco Vee and Dave Stimson.

Keith Morris is a true punk icon. No one else embodies the sound of Southern Californian hardcore the way he does. With his waist-length dreadlocks and snarling vocals, Morris is known the world over for his take-no-prisoners approach on the stage and his integrity off of it. Over the course of his forty-year career with Black Flag, the Circle Jerks, and OFF!, he's battled diabetes, drug and alcohol addiction, and the record industry . . . and he's still going strong. My Damage is more than a book about the highs and lows of a punk rock legend. It's a story from the perspective of someone who has shared the stage with just about every major figure in the music industry and has appeared in cult films like The Decline of Western Civilization and Repo Man. A true Hollywood tale from an L.A. native, My Damage reveals the story of Morris's streets, his scene, and his music-as only he can tell it.

Punk: The Definitive Guide to the Blank Generation and Beyond

Black hole or exploding star? Julia's been wondering how it all ends up. In the meantime, she's making fractals and hiding in plain sight in Washington, D.C. As she helps Kal find a lost diary from the Secret War in Laos and Tomoka shows her a series of found paintings from Heian Japan, she learns that each of us has the power to write history.

An elegant, moving and heartfelt love letter to the sights, sounds and tastes of northern India told through the enthralling story of the troubled relationship between a father and daughter stretching from Partition to the present day. James Connor is a man who, burdened with guilt following a tragic event in his youth, has dedicated his life to serving India. Ruth Connor is his estranged daughter who, as a teenager, always knew she came second to her parents' missionary vocation and rebelled, with equally tragic consequences. After 24 years away, Ruth finally returns to Askival, the family home in Mussoorie, a remote hill station in the Northern State of Uttarakhand, to tend to her dying father. There she must face the past and confront her own burden of guilt if she is to cross the chasm that has grown between them. In this extraordinary and assured debut, Merryn Glover draws on her own upbringing as a child of missionary parents in Uttarakhand to create this sensitive, complex, moving and epic journey through the sights, sounds and often violent history of India from Partition to the present day. 'An original and engaging story. Glover understands houses are never just houses. Askival will break your heart.' Cynthia Rogerson, author of I Love You, Goodbye and If I Touched the Earth