The seventh and final volume in Jeffrey Archer’s New York Times bestselling Clifton Chronicles series, This Was a Man, brings the epic saga of the Clifton family’s love, loss, and ambition to a dazzling conclusion. Harry Clifton’s story began in 1920, as a dock worker in England, and now he is set to write his magnum opus. As he reflects on his days, the lives of his family continue to unfold, unravel, and intertwine in ways no one could have imagined . . . Harry’s wife Emma, who just completed her time at the Bristol Royal Infirmary, receives a surprise call from Margaret Thatcher. Meanwhile, Giles Barrington discovers a shocking truth about his wife, Karin. Sebastian Clifton becomes chairman of Farthings Kaufman bank, but only after Hakim Bishara’s abrupt resignation. Sebastian’s daughter Jessica is expelled from school, but her aunt Grace comes to the rescue. And Lady Virginia, who is set to flee the country to avoid her creditors, finds an opportunity to clear her debts after the Duchess of Hertford dies—and a way to finally trump the Cliftons and Barringtons.

A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.

Upon its invention in the mid-1400s, the printing press instantly became a revolutionary device. It introduced literacy to the masses and led Europe out of the Middle Ages. This book explores the press' exciting history, the social and political conditions in place at the time Johannes Gutenberg invented it, and the changes the invention wrought afterward. It traces the evolution of moveable type and information dissemination up to modern electronic communications technology, examining the positive and negative effects of these developments, both in the past and on democracy and humankind today. This book will give readers a new appreciation for the written word, whether it is printed on paper or displayed on a screen.

This ground-breaking study, the first of its kind, outlines a theory of publishing that allows publishing houses to focus on their core competencies in times of crisis. Tracing the history of publishing from the press works of fifteenth-century Germany to twenty-first-century Silicon Valley, via Venice, Beijing, Paris and London, and fusing media theory and business experience, ‘The Content Machine’ offers a new understanding of content, publishing and technology, and defiantly answers those who contend that publishing has no future in a digital age.

This classic work, first published as a Pelican Original in 1955 and maintained in successive editions until 1980 is now available in a finely illustrated larger format book, drawing on the collections and curatorial expertise of The British Library. It has been completely revised and brought up to date, covering topics such as censorship, best-sellers, the invention of lithography and the connection between printing and education. It is of particular use to anyone studying the huge technological changes that the printing industry has experienced during its long timespan.