Ferdinand Columbus, son of Christopher Columbus and author of the first published account of a voyage to the New World, was also the owner of one of the largest private libraries assembled during the Renaissance and the most important early collection of prints. Although the collection has vanished, about half of it has been reconstructed by Mark McDonald from information found in a detailed inventory that survives in Seville. This beautifully produced book catalogues 110 of the most significant prints in Columbus's collection. The introductory chapters discuss Columbus's life and work and show how the reconstruction of his collection has radically transformed our understanding of the print industry in Renaissance Europe. Original publisher's price: $49.95.

This book is a visual and written exploration of the constructed photograph as created in the last decades of the 20th century and the first decades of the 21st century. It documents a collection built by Frazier King, that was exhibited by FotoFest International in the Collector's Eye II Exhibition. An essay by Mr. King's essay reflects on 76 images of a variety of constructed photographs included in the collection. The narrative explores how Mr. King's own work with this type of image has resulted in a collection of constructed photographs and explains the varied nature of this category of image. The reader gets a personal and inside glimpse of the dynamics of photographic reviews such as FotoFest Meeting Place and how artists, collectors and curators interact in this venue and the relationships they form. In addition to an essay by Mr. King this volume includes an essay by Wendy Watriss, co-founder and Senior Artistic Advisor of FotoFest, on the significance of collecting and the role of the collector. The third essay is by Madeline Yale Preston, an independent curator based in London, who addresses the role of the collector as curator and the historical evolution and importance of the constructed photograph.

This comprehensive book brings together all of Will H. Bradley's finest printed oeuvre in a single volume. Nearly 200 illustrations reveal his fertile imagination, incomparable sense of design, and unmatched merging of art and typography. 60 colour & 117 b/w illustrations

Oscar loves looking at the art Great-Granny creates. But his own drawings never look the way he wants them to. So instead of making art, he decides to collect art. Over the years Oscar's room becomes filled with beautiful paintings and drawings in every style and color. His collection grows and grows and grows until a museum needs to be built to house it all.