THE PRINT BOX IS AN IDEAL REFERENCE FOR EVERYBODY WORKING WITH HIGH FASHION, PRINTED, WOVEN AND EMBROIDERED PATTERNS IN THE FIELD OF TEXTILE PRINTING GARMENT, ACCESSORIES HOME TEXTILES,MADE UPS AND MUCH MORE. THE PRINT BOX CONTAINS A DVD WITH TIFF AND JPEG FILES THE DVD CONTAINS 40 FILES ALL FILES ARE IN 300 DPI ALL IN LAYERS MOST FILES ARE IN REPEAT Floral Pattern Design Book (Print Box Vol.3) The print box is an ideal reference for everybody working in high fashion, printed, woven and embroidered patterns in the field of textile printing, garments, accessories, home textiles, madeups and much more. Floral Prints and Patterns designs with stunning ideas is a must with commercially designed ideas saving thousands of hours of inhouse creations. Print illustrations are clear with high DPI. The print box vol.3 is a floral pattern design book with prints on different types of flowers with abstract, geometric and grunge bases. These royalty free prints with license can be used for designing garments, fabrics and ready to wear items. The designs are with layered editable files in PSD format. These prints are ready to design tunics, dresses, kurtis as well as for all over printing for fabrics. Individual prints to design are not cost effective, but this book compiles the best prints of premium designers in UK all in 1 compilation. The files are in a digital format and the printed book is also shipped in a physical format. Included in the package is a DVD with TIFF and JPEG Files. All Files are in layers and most prints are in repeat.

222 page, 8.5 x 11", spiral bound and tabbed Artist Edition book dedicated to charting and swatching colored pencils, pastel pencils, watercolor pencils, ink, and markers. Book includes 49 pre-labeled charts (with color names and numbers) of the most popular brands. Book also includes blank charts for additional brands and media, and a large number of original line art illustrations that can be colored. This book was designed and illustrated for the adult coloring market by Susan Carlson (aka Ruby Charm Colors).

Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.

A whimsical field guide to embroidered flowers. Working through a full growing season, from spring to autumn, the sixty-three flower varieties presented here offer a full garden of cherished blooms. From pansies and lilies-of-the-valley to poppies, zinnias, and campanulas, the flowers presented here feature buds, blooms, and roots in stunning detail and charming color combinations. As an avid gardener and seasoned embroiderer, Kazuko Aoki presents a beautiful blending of her twin passions through designs that are clearly rendered with an appreciation for intricacies and a delight in the subject. With artistic photographs, clear step-by-step instructions, and detailed diagrams, Embroidered Garden Flowers is a treasure trove that can be enjoyed by novice and experienced sewers alike.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.