George Meredith, OM (1828-1909) was an English novelist and poet. He read law and was articled as a solicitor, but abandoned that profession for journalism and poetry shortly after marrying Mary Ellen Nicolls, a widowed daughter of Thomas Love Peacock, in 1849. He was twenty-one years old; she was thirty. He collected his early writings, first published in periodicals, into Poems, which was published to some acclaim in 1851. His wife left him and their five-year old son in 1858; she died three years later. Her departure was the inspiration for The Ordeal of Richard Feverel (1859), his first "major novel." As an advisor to publishers, Meredith is credited with helping Thomas Hardy start his literary career, and was an early associate of J. M. Barrie. Before his death, Meredith was honored from many quarters: he succeeded Lord Tennyson as president of the Society of Authors; in 1905 he was appointed to the Order of Merit by King Edward VII. His works include: The Shaving of Shagpat (1856), Farina (1857), Vittoria (1867) and The Egoist (1879).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The poems are the texts used in the Memorial Edition of Meredith's works. The 'early' poems were primarily written in or about 1849, when the poet was twenty-one years old. Meredith was a poet/novelist, but his poetry follows the same course of development as his novels, moving from early examinations of the self in society to a later concern with broader social issues and defiance of the conventions of the form. Meredith explored new meters and stanzaic forms and experimented dramatically with syntax and grammar. His poetry has been described as verbally dense, allusive, and metaphorical, and in many ways reflective of the late nineteenth-century inclination toward aesthetic artifice.