This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette’s inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess’s many portrait commissions and the rich character of her private collections, which included works by some of the period’s leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.

The true story of the woman who befriended the last queen of France—and the price she paid for her devotion. Perhaps no one knew Marie Antoinette better than one of her closest confidantes, Marie Thérèse, the Princess de Lamballe. The princess became superintendent of the queen’s household in 1774, and through her relationship with Marie Antoinette, she gained a unique perspective of the lavishness and daily intrigue at Versailles. Born into the famous House of Savoy in Turin, Italy, Marie Thérèse was married at the age of seventeen to the Prince de Lamballe, heir to one of the richest fortunes in France. He transported her to the gold-leafed and glittering chandeliered halls of the Château de Versailles, where she soon found herself immersed in the political and sexual scandals that surrounded the royal court. As the plotters and planners of Versailles sought, at all costs, to gain the favor of Louis XVI and his queen, the Princess de Lamballe was there to witness it all. This book reveals the Princess de Lamballe’s version of these events and is based on a wide variety of historical sources, helping to capture the waning days and grisly demise of the French monarchy. The story immerses you in a world of titillating sexual rumors, bloodthirsty revolutionaries, and hair-raising escape attempts—a must read for anyone interested in Marie Antoinette, the origins of the French Revolution, or life in the late eighteenth century.

Glory and Terror is a vivid and often gory history of the darker side of the French Revolution. Through an examination of contemporary visual and literary representations of executions, funerals, processions and ceremonies it brings the often horrific events of the time to life. Honing in on seven real life cases, the author recounts and interprets: * the public autopsy performed on the corpse of Mirabeau * the exhumation and transportation of Voltaire's body to the Pantheon * the public torture, murder and subsequent mutilation of the Princesse de Lamballe * the agonizingly slow death of Robespierre. Anyone who enjoys dazzling cultural history in the vein of Robert Darnton, Carlo Ginzburg and Anthony Grafton will revel in this intelligent and original work.

This Is A New Release Of The Original 1901 Edition.

Marie-Antoinette (1755–1793) continues to fascinate historians, writers, and filmmakers more than two centuries after her death. She became a symbol of the excesses of France’s aristocracy in the eighteenth century that helped pave the way to dissolution of the country’s monarchy. The great material privileges she enjoyed and her glamorous role as an arbiter of fashion and a patron of the arts in the French court, set against her tragic death on the scaffold, still spark the popular imagination. In this gorgeously illustrated volume, the authors find a fresh and nuanced approach to Marie-Antoinette’s much-told story through the objects and locations that made up the fabric of her world. They trace the major events of her life, from her upbringing in Vienna as the archduchess of Austria, to her ascension to the French throne, to her execution at the hands of the revolutionary tribunal. The exquisite objects that populated Marie-Antoinette’s rarefied surroundings—beautiful gowns, gilt-mounted furniture, chinoiserie porcelains, and opulent tableware—are depicted. But so too are possessions representing her personal pursuits and private world, including her sewing kit, her harp, her children’s toys, and even the simple cotton chemise she wore as a condemned prisoner. The narrative is sprinkled with excerpts from her correspondence, which offer a glimpse into her personality and daily life. Visually rich and engaging, Marie-Antoinette offers a fascinating look at the multifaceted life of France’s last, ill-fated queen.