New York Times Bestseller A landmark achievement The Prince of Darkness is not simply the stunningly candid memoir of one of the country’s most influential reporters but also a riveting history of the past half century in American politics.

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.

“A well-told, stereotype-busting tale about a nineteenth century black financier who dared to be larger than life, and got away with it!” —Elizabeth Dowling Taylor, New York Times–bestselling author In the middle decades of the nineteenth century Jeremiah G. Hamilton was a well-known figure on Wall Street. Cornelius Vanderbilt, America’s first tycoon, came to respect, grudgingly, his one-time opponent. Their rivalry even made it into Vanderbilt’s obituary. What Vanderbilt’s obituary failed to mention, perhaps as contemporaries already knew it well, was that Hamilton was African American. Hamilton, although his origins were lowly, possibly slave, was reportedly the richest black man in the United States, possessing a fortune of $2 million, or in excess of two hundred and $50 million in today’s currency. In Prince of Darkness, a groundbreaking and vivid account, eminent historian Shane White reveals the larger than life story of a man who defied every convention of his time. He wheeled and dealed in the lily-white business world, he married a white woman, he bought a mansion in rural New Jersey, he owned railroad stock on trains he was not legally allowed to ride, and generally set his white contemporaries teeth on edge when he wasn’t just plain outsmarting them. An important contribution to American history, Hamilton’s life offers a way into considering, from the unusual perspective of a black man, subjects that are usually seen as being quintessentially white, totally segregated from the African American past. “If this Hamilton were around today, he might have his own reality TV show or be a candidate for president . . . An interesting look at old New York, race relations, and high finance.” —New York Post

John Carpenter, a quintessential horror movie director, is a true film auteur -- a writer, director, composer, producer, editor, and actor -- whose unique and inspired work has brought him the praise and admiration of both film critics and horror cultists. He is both the product of and an important participant in the American filmmaking tradition, and the intelligent, moody, and strange films with which his name is so quickly associated are sometimes simply Westerns in disguise. Essentially a lengthy, lively, and candid interview with Carpenter, this book covers his background, his inspirations, and his ups and downs in Hollywood and thoroughly discusses each of his films. Among the many and varied subjects that pop up are his Bible Belt childhood, German expressionism, Howard Hawks, John Wayne, The King, Barbra Streisand, Michael Myers, Kurt Russell, Stephen King, quantum physics, and attractive female extras. Among Carpenter's films are Dark Star, Halloween, Assault on Precinct 13, The Fog, Escape From New York, The Thing, Christine, Big Trouble in Little China, Prince of Darkness, They Live, Village of the Damned, In the Mouth of Madness, and Escape From L.A.In addition to penning most of the screenplays for the films he has directed, he co-wrote The Eyes of Laura Mars.

Phineas Smith has been cursed with a power no one could control. Roark Lyne is his worst enemy and his only hope. First in the Darkest Court series. The only human student at Mather’s School of Magick, Phineas Smith has a target on his back. Born with the rare ability to tap into unlimited magick, he finds both Faerie Courts want his allegiance—and will do anything to get it. They don’t realize he can’t levitate a feather, much less defend the Faerie Realm as it slips into civil war. Unseelie Prince Roark Lyne—Phineas’s roommate and self-proclaimed arch nemesis—is beautiful and brave and a pain in the ass. Phineas can’t begin to sort through their six years of sexual tension masquerading as mutual dislike. But Roark is also the only one able to help Finn tame his magick. Trusting Roark’s mysterious motives may be foolish; not accepting his temporary protection would be deadly. Caught in the middle of the impending war, Phineas and Roark forge a dangerous alliance. And as the walls between them crumble, Phineas realizes that Roark isn’t the monster he’d imagined. But their growing intimacy threatens to expose a secret that could either turn the tide of the war . . . or destroy them both. Praise for the Darkest Court series “Stunningly brilliant.” —Mirrigold “This is such a fantastic series! The contemporary twist on classic high fantasy is beautifully executed.” —Wicked Reads “I am utterly infatuated with this series and cannot wait for the next book.” —The Novel Approach Reviews

A mysterious traveler intervenes in an epic holy war in this “impressive, challenging debut” of the critically acclaimed fantasy epic (Publishers Weekly, starred review). The first book in R. Scott Bakker's Prince of Nothing series introduces readers to a strikingly original and engrossingly vivid new world. With its language and classes of people, its cities, religions, mysteries, taboos, and rituals, The Darkness That Comes Before has drawn comparison to J.R.R. Tolkien’s The Lord of the Rings and Frank Herbert’s Dune. Bakker’s Eärwa is a world scarred by an apocalyptic past, evoking a time both two thousand years past and two thousand years into the future. As untold thousands gather for a crusade, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus—part warrior, part philosopher, part sorcerous, charismatic presence—from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.

At nearly every pivotal moment in international politics over the past twenty-five years–from the Reagan-Gorbachev summits, to the Iran-Contra scandal, to the collapse of the Soviet Union, to the decision to go to war in Iraq–if you dug deeply you would find a figure just behind the scenes influencing the action: that of Richard Perle. Largely eschewing senior cabinet appointments and other high-profile roles, the passionate, zealous Perle has been content to operate quietly—behavior which earned him the moniker of The Prince of Darkness. Nevertheless, his influence in Washington has helped to fuel an international disaster in Iraq and the growth of anti-Americanism worldwide. Alan Weisman, a former producer for 60 Minutes, CBS Sunday Morning, and the CBS Evening News, is now shining a light on this major political figure. While Perle has not authorized this biography, he has submitted to interviews with Weisman, encouraged his friends to do so, and provided non-classified material. Such access has granted Weisman a deep and critical insight into Perle’s methods and mindset. Weisman explores how Perle derailed a nuclear arms agreement between the U.S. and the then Soviet Union; his controversial business dealings; Perle’s tenure as Chairman of the Pentagon’s Defense Policy Board during the present Bush Administration; and his role leading up to the Iraqi War, including his dealings with Iraqi exiles like Ahmed Chalabi. From the collapse of the Soviet Union to the current saber-rattling over Iran, Syria, and North Korea, Perle has put his stamp on almost every decisive event in international politics. This is an insightful and incisive study of the highest quality, and one that everyone—not just policy experts—should read. From Prince of Darkness, What People Say about Richard Perle: “We used to have major problems when Richard would wander off the farm and be caught doing things that were not consistent with the policies that [Caspar] Weinberger and [George] Shultz were trying to implement.”—Colin Powell, Secretary of State, 2001-2005 “Richard can take a really bad idea and make it sound almost plausible and reasonable, even brilliant.”—Richard Burt, Assistant Secretary of State, 1983-1985 “I really don’t understand Perle. If you talk about the real neocons, there’s Richard Perle and Paul Wolfowitz, and they’re very different. Paul Wolfowitz is an idealist, but he’s prepared to impose democracy by the sword. I don’t think Perle gives a [bleep] about democracy. Fundamentally, it’s all a means to an end.”—Brent Scowcroft, National Security Advisor, 1989-1993