An early American architectural manual taken from an important French work, it is a comprehensive treatment of the fundamentals of mechanical drawing including shading and perspective. The plates illustrating geometrical, mechanical and architectural shapes are meant to assist the draughtsman in his work.

Includes the leading names, movements, materials and processes such as furniture, fashion, cars, graphics, products, signs and symbols that have influenced the world of design.

Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

Drawing Fashion Accessories is a practical guide to illustrating footwear, millinery, bags and purses, cosmetic products and jewellery, offering a unique resource for students and professional fashion illustrators alike. Beginning with a discussion of the media available for drawing fashion accessories and how best to use them, together with a demonstration of various art styles, Miller then moves on to demonstrate the technicalities of drawing different products, including the specific challenges of perspective, how to draw accessories on the body, and how to render a wealth of different materials. In addition to the practice of drawing, a series of specially illustrated glossaries introduces readers to the technical and style terminology used throughout the accessories industry. Illustrated with specially created step-by-step sequences, Drawing Fashion Accessories provides students with the knowledge and freedom to develop their own work beyond the basics and to bring style and flair to their illustrations.