On October 22, 1844, thousands of men, women and children, dressed in Ascension Robes, gather on a desolate, freezing hillside outside Boston to greet the end of the world. Among the crowd is terrified five-year-old, Sarah Pardee, for whom this is the beginning journey to extraordinary fame and notoriety. That night, Sarah is rescued by the cults founder, William Miller, and by Caty and Maggie Fox, who become her friends as they travel their own path to become Americas most distinguished spirit rappers interpreting rapping sounds in haunted houses. As for Sarah, she will go on to become Mrs. William Wirt Winchester, of Winchester rifle fame, one of the richest women in America. She will lose a daughter after only 42 days of life, an event that blights all her remaining days. Guided by an obsession with the spirit world, she will move to the San Jose, California and build one of Americas strangest and most famous structures. But first she will attendand completely disruptthe Charles Street School and then Mary Lyons Mount Holyoke Female Seminary (later Mount Holyoke College), she will meet Edwin Booth, Americas most famous Shakespearean actor, brother to John Wilkes Booth, who presides over a spiritualist meeting where Sarah first communicates with her deceased daughter. Thereafter she will be visited by a spirit guide who directs her building of the massive, controversial monument on the west coast. The Possession of Sarah Winchester tells this compelling story in her own words, revealing child/woman caught in the web of the rise of spiritualism in nineteenth century America. It portrays a brilliant womans mind inundated by repression, grief, and guilt over her familys creation of a weapon that destroyed Native American lives and culture.

Captive of the Labyrinth is reissued here to commemorate the 100th anniversary of the death of rifle heiress Sarah L. Winchester in 1922. After inheriting a vast fortune upon the death of her husband in 1881, Winchester purchased a simple farmhouse in San José, California. She built additions to the house and continued construction for the next twenty years. When neighbors and the local press could not imagine her motivations, they invented fanciful ones of their own. She was accused of being a ghost-obsessed spiritualist, and to this day it is largely believed that the extensive construction she executed on her San José house was done to thwart death and appease the spirits of those killed by the Winchester rifle. Author and historian Mary Jo Ignoffo’s definitive biography unearths the truth about this reclusive eccentric, revealing that she was not a maddened spiritualist driven by remorse but an intelligent, articulate woman who sought to protect her private life amidst the chaos of her public existence and the social mores of the time. The author takes readers through Winchester’s several homes, explores her private life, and, by excerpting from personal correspondence, one learns the widow’s true priority was not dissipating her fortune on the mansion in San José but endowing a hospital to eradicate a dread disease. Sarah Winchester has been exploited for profit for over a century, but Captive of the Labyrinth finally puts to rest the myths about this American heiress, and, in the process, uncovers her true legacies.

An insider’s guide to wicked, weird, and wonderful New England. A rich compendium of macabre and historic New England happenings, this travelogue features firsthand accounts of almost 200 sites throughout New England. This region is full of the macabre, the grim, and the ghastly—and all of it is worth visiting, for the traveler who dares! Author J. W. Ocker supplements directions and site information with entertaining personal anecdotes. Topics include: Legends and personalities of the macabre Infamous crimes and killers Dreadful tragedies Horror movie locales Notable cemeteries and gravestones Intriguing memento mori Classic monsters

The book ranges widely through frontier myth, American foreign policy, technology, war, film history, psychoanalytic theory (Nicholas Abraham and Maria Torok's cryptonymy), and philosophy (Jacques Derrida and Emmanuel Levinas), as it weaves art analysis into the troubled history of a social artifact. As Blake tells his story purely through images issuing as haunting from the architecture of Winchester house, Spirit Hunter pursues its speculation on the secrets Sarah Winchester shielded through her fabled mansion into the image itself to question whether she was hostage to her haunting or to national myth.

Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it is represented in both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and—sometimes—healing.

This set includes key pieces from Peter Ackroyd, Charles Baudelaire, Walter Benjamin, Homi Bhaba, Charles Dickens, Fredrick Engles, Paul Gilroy, Thomas Hobbes, Max Weber, George Simmel, Ian Sinclair, Edward W. Soja, Gayatri Spivak, Nigel Thrift, Virginia Woolf, Sharon Zukin, and many others. The material is arranged thematically highlighting the variety of interests that coexist (and conflict) within the city. Issues such as gender, class, race, age and disability are covered along with urban experiences such as walking, politics & protest, governance, inclusion and exclusion. Urban pathologies, including gangsters, mugging, and drug-dealing are also explored. Selections cover cities from around the globe, including London, Berlin, Paris, New York, Los Angeles, Rio de Janeiro, Bombay and Tokyo. A general introduction by the editor reviews theoretical perspectives and provides a rationale for the collection. This collection offers a valuable research tool to a broad range of disciplines, including: sociology; anthropology; cultural history; cultural geography; art critical theory; visual culture; literary studies; social policy and cultural studies.