Swedish artist Peter Bergting (Domovoi) brings another of his fantastic creations to Dark Horse. A wood nymph has returned alone from the realm of the dead to find her dying world overwhelmed with powerful warlocks, vengeful spirits, demons, and witches. "The Portent is one of the best fantasy comics I've ever seen. Wonderfully atmospheric, beautiful and strange." - Mike Mignola, creator of Hellboy

Baltimore investigates a small town in Estonia where the Red King has been seen. But he has little luck getting the townsfolk to speak with him, and a farmhouse full of broken, bloodied bodies is his only lead. * Art by Peter Bergting (_The Portent_, _Domovoi_). * The story moves beyond the novel for the first time!

Emiko Amai is six years old in August 1945 when the Hiroshima bomb burns away half of her face. To Anton, a young German physicist involved in the Manhattan Project, that same bomb represents the pinnacle of scientific elegance. And for his Austrian wife Sophie, a Jewish refugee, it marks the start of an irreparable fissure in their new marriage. Fifty years later, seemingly far removed from the day that defined their lives, Emiko visits Anton and Sophie, and in Dennis Bock’s powerfully imagined narrative, their histories converge.

Arcana, the secrets and mysteries of a land remade by Angels of Light and Darkness, remains in the tales, tomes, and relics scattered through Erilan, a war-torn continent of once-great kingdoms. Seven hundred years ago, the War of the White Crown decimated the races Galadorian, Croe, Toran, Daiman, Ur, and Daemon, and much of their history was lost. Four unlikely heroes, with secrets of their own, set out to reclaim the forgotten lore and tokens of magic that hold the hope to oppose the dark and malevolent forces that are rising to overwhelm the land once again. Ronan, Hart, Ash, and Blackthorn begin their quest to unearth the arcana their ancestors brought to bear against evils that nearly destroyed the free folk of the kingdoms, but another seeks these tokens as well for his own ends. Ban, the necromancer, covets dominion over all of Erilan. He is the Sand King, ruler of Aegis, but even now, his influence in other kingdoms threatens to achieve his dark aims. First of a trilogy, Arcana begins the saga within an epic fantasy richly detailed in history, lore, and legend. Drakespawn and Daemon Glaive conclude the cycle of the Rings of Silver, set against the backdrop of a magical, mythical land.

Lord Baltimore’s quest for vengeance against the Red King escalates in the second half of the Baltimore saga, which includes a new bonus story with art by Ben Stenbeck! Finally armed with the identity of the being responsible for the vampire plague, Baltimore and his band of allies take on the evil around them with a new fervor. Enemies old and new, desperate battles, and strange horror await the reader as they follow Baltimore toward his ultimate destiny. From writers Mike Mignola and Christopher Golden, with art by Ben Stenbeck (Hellboy, Koshchei the Deathless) and Peter Bergting (Joe Golem: Occult Detective, The Untamed) comes the culmination of the Baltimore series, collected in paperback omnibus format! Collects Baltimore: The Witch of Harju #1–#3; Baltimore: The Wolf and the Apostle #1–#2; Baltimore: The Cult of the Red King #1–#5; Baltimore: Empty Graves #1–#5; Baltimore: The Red Kingdom #1–#5 and bonus short Monstrous.

The resonant ruins of Pompeii are perhaps the most direct route back to the living, breathing world of the ancient Romans. Two million visitors annually now walk the paved streets which re-emerged, miraculously preserved, from their layers of volcanic ash. Yet for all the fame and unique importance of the site, there is a surprising lack of a handy archaeological guide in English to reveal and explain its public spaces and private residences. This compact and user-friendly handbook, written by an expert in the field, helpfully fills that gap. Illustrated throughout with maps, plans, diagrams and other images, Pompeii: An Archaeological Guide offers a general introduction to the doomed city followed by an authoritative summary and survey of the buildings, artefacts and paintings themselves. The result is an unrivalled picture, derived from an intimate knowledge of Roman archaeology around the Bay of Naples, of the forum, temples, brothels, bath-houses, bakeries, gymnasia, amphitheatre, necropolis and other site buildings - including perennial favourites like the House of the Faun, named after its celebrated dancing satyr.